Merchant of Venice


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An Early Festive Comedy, first written between 1596-97, first performed in 1600.

In a street of Venice, the merchant Antonio laments that he is sad but knows not why. His friends, Solanio and Salerio try to cheer him up, to no avail. More friends, Lorenzo and Gratiano also try and fail. Antonio's friend, Bassanio, informs him that he intends to seek the wealthy Portia's hand in marriage, yet needs financial backing. Antonio, though reluctant, offers Bassanio 3,000 ducats (money) to help him. At Belmont, Portia's house, she laments to her servant, Nerissa, that she fears a suitor she dislikes will pursue her hand in marriage. Per her late father's will, the suitor must choose the correct of three chests (gold, silver, and lead), and then, if correct, he may marry Portia. She likes none of her six suitors, but wishes Bassanio would come and choose the correct chest. Back in Venice, after much begging, Bassanio convinces the merchant Shylock the Jew to lend him 3000 ducats, with Antonio putting up his property as the bond. Although Shylock hates Antonio, he lends the money anyway, hoping Antonio will default on the loan. Antonio, though, has confidence one of his ocean vessels will come to port one month before the three month deadline.

The Moroccan prince arrives at Belmont to woo Portia and learns that if he chooses the wrong chest, he must swear to never ask any woman to marry him. Back in Venice, Launcelot Gobbo, a clown and Shylock's servant, tells his father, old Gobbo, that he wishes to leave Shylock and work for Bassanio. Bassanio agrees to it and instructs his servant Leonardo to prepare dinner for him and Shylock. Gratiano then arrives and tells Bassanio he'll help him win over Portia. Shylock's daughter, Jessica, gives a love letter to Launcelot to deliver to Antonio's Christian friend Lorenzo. In the letter, Lorenzo learns that Jessica will pretend to be a male torchbearer for him at the supper between Antonio and Shylock. Shylock, going to the supper, leaves his house keys with his daughter, Jessica, warning her not to take part in the evening's Christian activities. Later that night, Gratiano, Salerio, and Lorenzo meet outside Shylock's house to get Jessica. After Lorenzo and Jessica unite, they all head to meet Bassanio on Antonio's ship to sail to Portia's. At Portia's house, the Moroccan prince chooses a chest to open. Each has an inscription, and only the correct one contains Portia's picture. He chooses incorrectly (the gold one), and leaves defeated. Salerio assures Solanio that Lorenzo and Jessica were not on the ship with Bassanio and Gratiano, and they are thus missing. Shylock, of course, wants his money and his daughter back. At Portia's house, the Prince of Aragon arrives and chooses the silver chest, also the wrong one. Again, he must swear to never woo any maid in marriage and to never tell a soul which chest he opened.

Solanio and Salerio confirm that Antonio's ship has sunk. They then make fun of Shylock for his predicament of losing his daughters. Shylock then laments of his monetary loss to another Jew, Tubal, yet rejoices that Antonio is sure to default on his loan. At Portia's house, she begs Bassanio to wait in choosing so that she may spend time with him, in case he chooses wrong. He correctly chooses the lead casket, though, and wins Portia's hand in marriage. To seal the union, Portia gives Bassanio a ring, warning that he should never lose it or give it away, lest he risk losing her love for him. Gratiano then announces his intention to wed Nerissa. Next, Salerio, Lorenzo, and Jessica arrive, informing Bassanio that Antonio lost his ships, and, furthermore, that Shylock is viciously declaring forfeiture of the bond by Antonio. Bassanio leaves for Venice to repay the loan. In Venice, Shylock has Antonio arrested for failure to repay the loan. At Belmont, Portia tells Lorenzo and Jessica to manage her house while she and Nerissa go to a monastery until Bassanio returns. In fact, though, she and Nerissa will disguise themselves as young men and travel to Venice.

At a Venetian court, the Duke presides over the sentencing hearing of Antonio wherein Shylock intends to cut "a pound of flesh from Antonio's breast" since the due date has past and that was the terms of the bond, even though Bassanio offers him 6,000 ducats for repayment. Nerissa and Portia, disguised as a court clerk and doctor of civil law respectively, arrive at the court. Gratiano, Bassanio, the Duke, and Portia try to dissuade Shylock, to no avail. Yet, Portia points out that the deed calls for no blood to be shed and exactly one pound to be taken, lest Shylock be guilty of not following the bond himself. Shylock, realizing this is impossible, recants and simply requests 9,000 ducats. Portia then reveals that Shylock is himself guilty of a crime; namely, conspiring to kill another citizen, i.e. Antonio. As punishment, the Duke and Antonio decide that Shylock must give half his belongings to the court; keep the other half for himself and promise to give all his remaining belongings to his daughter and son-in-law (Lorenzo) upon his death; and become a Christian. With no other choice, Shylock agrees. As Portia (as the doctor of civil law) leaves, Bassanio offers her a monetary gift. Portia turns this down, instead requesting Bassanio's gloves and wedding ring instead. Bassanio, due to his vow, hesitates on the ring, but reluctantly gives it after much prodding by Antonio. Nerissa (disguised as a court clerk), vows to try to get her husband (Gratiano) to give her his wedding ring.

At Belmont, Lorenzo and Jessica share a peaceful night together. The next morning, Bassanio and Portia, and Gratiano and Nerissa reunite. After quarreling over the loss of rings, the women admit of their ruse and return the rings to their husbands. Further, they inform Antonio that three of his ships have come to port full of merchandise. Finally, they give the deed to Jessica and Lorenzo promising to give them Shylock's money and possessions upon his death.

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Squander some of your time in this timeless story and you will be amazed by the profound world of love and controversy...You will never fail to learn from Shakespeare's work.--Submitted by jing.

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William Shakespeare has always held a fascination for me and one could wonder how easily he could twist and twirl the flow of human lives in his characters. The Merchant of Venice is not just a book that talks about the everyday merchant of Venice alone but it brings to mind the actual characteristical weaknesses, strengths, and beauty of the human world. The weakness is characterised by Shylock's greediness and eventual fall, Antonio's love for his friend, and the nonchalant attitude or should I say ignorance to the wickedness of an enemy--failure to be on guard--that almost cost him his life. Shylock's daughter, Bassanio, Antonio, Portia, Nerissa, et al were happy at the end of the play. The beauty of it is the knowledge that one could truly bend life situations as is the case with Portia, who surprises everyone with such an unexpected turn of situation, bending Shylock even when he thought he had bended Antonio to a point of no return. Merchant is a great work of art and is a pointer to all those who feel they've got it sorted out because one could be surprised.--Submitted by dolapo.

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Recent Forum Posts on Merchant of Venice

The Merchant of Venice in the 21st century

Hey guys, I'm new here, wondering if any help is available I need to write about how the Merchant of Venice is read in a 21st century context, i also need to Examine how discourses shape and are shaped by language choices. and Evaluate how cultural assumptions, values and beliefs underpin texts. ANY help would be greatly appreciated Thanks in advance guys, Rob


I need ur help plz

hi eveyone I have to write a short report consists of 4 pages about the trial scene or the court scene in the merchant of venice can anyone help plz ......:yawnb: ;) regards sama7


character ages

Can anyone suggest the ages of Antonio's friends, especially Salarino and Salanio?


this paragraph

ANTONIO Why, fear not, man. I will not forfeit it. Within these two months—that's a month before This bond expires—I do expect return Of thrice three times the value of this bond. SHYLOCK O Father Abram, what these Christians are, Whose own hard dealings teaches them suspect The thoughts of others!—Pray you, tell me this: If he should break his day, what should I gain By the exaction of the forfeiture? A pound of man's flesh taken from a man Is not so estimable, profitable neither, As flesh of muttons, beefs, or goats. I say, To buy his favor I extend this friendship. If he will take it, so. If not, adieu. And for my love I pray you wrong me not. SHYLOCK Then meet me forthwith at the notary's. Give him direction for this merry bond, And I will go and purse the ducats straight, See to my house left in the fearful guard Of an unthrifty knave, and presently I will be with you. ANTONIO Hie thee, gentle Jew. BASSANIO I like not fair terms and a villain's mind. ANTONIO Come on. In this there can be no dismay. My ships come home a month before the day. What issues can we think of and discuss regarding this paragraph, I had "the conflict between christianity and non-belief.", "stereotypical thinking against non-believer", and "the pure evil of shylock". Anymore? I'll be appreciated if anyone can brought up something, anything will do. Thanks a lot.:yawnb:


Question about Merchant of Venice

Sorry if this is the wrong place to post this... but I've got a quick question I'm hoping you guys could help me out with. We're studying the Merchant of Venice now in class and I can't recall what this excerpt from Gratiano would be called, I don't think it's a monologue or a soliloquy. If anyone could help me out that'd be great. GRATIANO Let me play the fool. With mirth and laughter let old wrinkles come. And let my liver rather heat with wine Than my heart cool with mortifying groans. 85 Why should a man whose blood is warm within Sit like his grandsire cut in alabaster, Sleep when he wakes, and creep into the jaundice By being peevish? I tell thee what, Antonio— I love thee, and 'tis my love that speaks— 90 There are a sort of men whose visages Do cream and mantle like a standing pond, And do a willful stillness entertain With purpose to be dressed in an opinion Of wisdom, gravity, profound conceit, 95 As who should say, “I am Sir Oracle, And when I ope my lips, let no dog bark!” O my Antonio, I do know of these That therefore only are reputed wise For saying nothing, when I am very sure 100 If they should speak, would almost damn those ears Which, hearing them, would call their brothers fools. I'll tell thee more of this another time. But fish not with this melancholy bait For this fool gudgeon, this opinion.— 105 Come, good Lorenzo.—Fare ye well awhile. I'll end my exhortation after dinner.


Contrast between Antonio and shaylock, Jessica and Portia

Hello:blush: Can you give me the answer for this Q from Merchant of Venice play,, Contrast between Antonio and shaylock? Contrast between Jessica and Portia character? Analysis the character of (Bassanio,Portai,Jessica) .. I am witting you:) (Flower)


IB Discussing Merchant

If you found this thread, congratulations. There are already a number of interesting and relevant conversations on this forum about Merchant (excluding the ones that begin with "help!"). I encourage you all to browse some of them and see what other readers have had to say about this play. I have a set of questions I'd like to pose as we study the play, and I'll be careful to avoid any spoilers. Some of these can only be answered after seeing the entire story, but might be worth keeping in mind as we go. And I actually have an ANSWER KEY to these questions I'll share with you later. Don't feel obligated to answer all of them, but choose the one(s) that interest you. 1.> Who is this play really about? Shylock? Antonio? Bassanio? Portia? Jessica? 2.> I suggest that we look at this play in light of a few central words: risk, bond(s), exchange(s) and love. What does the play say about any of these concepts? 3.>I know you want to chat about it, so I'll go ahead and bring it up: what's up with Antonio and Bassanio? Is their portrayal in the film version(s) we are watching supported by Shakespeare's script, or is this "revisionist literature" at its best/worst? Is assigning a sexual orientation to either of them enlightening or limiting? 4.> Are we looking at a comedy or a tragedy here? Google the terms if you need clarification, and we will define them in class. If you say "both," well OK then, what about it? How funny is a tragedy allowed to be? Can a comedy have very serious points to make?


Themes on deception and prejudice.( URGENT HELP!!!)

i need to study for an exam and the essay topics are themes on prejudice and deception. can anyone help me? a model essay to study or guide-lines would be great! need it urgently!!!


Help anyone? :)

Hi, I am studying The Merchant of venice. I have to do on a character sketch as a project and I chose to do my sketch on Portia. For the project we need a character analysis, poem/song, a letter/journal entry, and a visual. So I pretty much have everything but the visual, and was wondering if any of you had any good ideas on visuals? :) Thanks! (I am already dressing up as Doctor Bellario . . .)


Can Anyone Help Meee!!!!!!!!!!!!!

Can Anyone Write Charactersketch Of Antonio, Bassonio, Portia And Shylock In A Proper Way??????? Any Two Of Them????????????????????????????? Pleaseeeeee


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