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Thread: Crime and Punishment: Chapter One

  1. #1
    The Brain Man mea505's Avatar
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    Crime and Punishment: Chapter One

    We all know that the beginning of the book, "Crime and Punishment," moves rather slow. But, there is only one issue brought forth in this chapter, and that is the revelation of the main character, Raskolnikov, who is depicted as an extremely proud, contemptuous, emotionally detached character in somewhat of a "semi-delirious mental state of mind; in fact, the reason he remains somewhat "detached" remains to be an important question throughout the rest of the novel.

    Question: what is the conflict depicted in this first chapter? Is it Internal of External? What is the conflict all about?

    Question: what is important about the character, Alyona Ivanovna? Is there a distinct difference between the two characters that are depicted in this chapter, i.e., Raskolnikov and Alyona Ivanovna?

    Question: what is important about Raskolnikov's innocence? Does the author first display him as an innocent person? Why? At what point in the chapter is his innocence lost or questioned? Does it have anything to do with his entering the Tavern?

    There is an extreme degree of paradox between the main character and the way he dresses as compared to the people he sees, who are mainly dressed in the same sort of clothes as he is dressed in. This has an important bearing on the character's thoughts about the people who live in shabby apartments and other domains throughout the novel, but moreso in the first chapter. Does this have anything to do with the character's feeling of contemptuousness?

    In this first chapter, the narrator states that the main character, Roskolnikov, "had fallen into a state of nervous depression akin to hypochondria." Within this realm of the character, he generally 'avoids other people.' Why is this important, or is it important?. This most likely has something to do with the fact that he remains to himself particularly throughout at least this chapter and that he explains his thoughts through either other people, or through the narrator. This makes the novel that much more difficult to follow and understand.

    Question Why did Roskolnikov "need" to steal the "stuff" from "the old lady?" Was there a need specified in the first chapter?

    There are some interesting facts about Roskolnikov: His name is also Rodya and Rodka, as "nicknames." The name, in Russian, actually means "schismatic" or "divided," and the name is derived from the Russian word, raskolnik. It's interesting, I think, to note that while "Rodya" is a proud, tall indivdual with good looks, he lives in a rather delapitated environment, and he walks around the city in a set of rags. But for the fact that he is a "former" student, and he no longer has any lessons to provide to other students, he is about 4 months behind in his rent, which also explains why he lives in the situation in which we find him in the first chapter.
    Last edited by mea505; 11-20-2008 at 01:37 PM.

  2. #2
    the beloved: Gladys's Avatar
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    Internal conflict with Raskolnikov hinges on mustering the 'courage' to strike out like anarchistic Napoleon, whereas Alyona Ivanovna stands for mindless law and order - subservience.

    Raskolnikov's innocence has been fading as his despair has grown, and finally vanishes with his leap into anarchy. The tavern relates to despair, which is a prerequisite for such a leap. Others living in the shabby apartments are too gutless to leap. As this 'exceptional courage' isolates Raskolnikov from his fellows, he becomes nervous and depressed.

    He steals "stuff" from "the old lady" to prove, to himself, his disdain for an existential inferior.

  3. #3
    Jealous Optimist Dori's Avatar
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    Firstly, mea505, permit me to applaud your initial post. I quite like the way you went about beginning this discussion.

    Unfortunately, due to time straints (I just finished a 4 page essay after coming home from my hockey game), I won't be able to post tonight. Nor will I tomorrow, I don't think. Saturday, I have the whole day to myself with not a plan in sight, so I will surely have posted by then.
    com-pas-sion (n.) [ME. & OFr. <LL. (Ec.) compassio, sympathy < compassus, pp. of compati, to feel pity < L. com-, together + pali, to suffer] sorrow for the sufferings or trouble of another or others, accompanied by an urge to help; deep sympathy; pity

    Dostoevsky Forum!

  4. #4
    The Brain Man mea505's Avatar
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    Thanks. I hope to complete the entire novel this week.
    Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not a spiteful. I am a sicker man! I might foam at the mouth, but bring me a doll to play with, bring me a cup of tea with sugar in it, and maybe I will be appeased! I might even genuinely be touched, though probably I should grind my teeth at myself afterward and lie awake at night with shame for months after. That is my way.

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