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Thread: What's the most bautiful thing (image, piece of text, etc.) you ever read?

  1. #1
    Registered User kiki1982's Avatar
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    What's the most bautiful thing (image, piece of text, etc.) you ever read?

    I thought this would be rather inspiring... In order to maybe make other people read that book you love...

    Here is mine:
    It is from Victor Hugo's Les Misérables, and is taken from the Fifth Part Jean Valjean, Sixth Book The white Night, Chapter II Jean Valjean has his arm still wrapped.
    It is the part about the wedding night of Marius and Cosette. The first time I read it I was really struck about the tone, the style and the image Hugo took to describe the wedding night. It was a touching image Hugo made. I couldn't read on for a while until I had got over it.

    I had to translate it myself, so please excuse any mistakes in the translation, although I did my best.

    The soul comes in contemplation before this sanctuary where this celebration of love takes place.
    There must be a glow above those houses. The happiness they have within them must be able to escape as light through the stones of their walls, and beam vaguely in the darkness. It is impossible that this blessed and fatal feast would not send an angelic glow to infinity. Love is the sublime place where the fusion of man and woman takes place; one being, three beings, a final being, human trinity comes out of it. This birth of two souls in one must be an emotion to limelight. The love is a priest; the ecstatic virgin is overjoyed. Some of this happiness goes to God. There where there is a real marriage, there where there is love, the ideal is as well. A marriage bed makes a corner of morning light in the darkness of night. If it was given to the eye to see the hesitation and charming visions of superior life, it is probable that one would be able to see the forms of night, the winged unknown beings, the blue passers-by of the invisible, coming in crowds of sombre heads, around the luminous house, satisfied, blessing, showing to each other the married virgin, softly touched, and they would have the reflection of human happiness on their divine faces. If, in this supreme hour, the lovers, who think themselves alone, listened, they would be able to hear in their room the sound of wings. Perfect happiness brings angels. This little obscure alcove has the heavens for a ceiling. When two mouths, become sacred because of love, come together to create, it is impossible that above this kiss there is no trembling in the immense mystery of the stars.
    This happiness is real. There is no joy out of this love. Love is the only ecstasy. All the rest weeps.
    To love or to be loved, that is all that matters. Do not ask for anything more after. One cannot have to find another pearl the dark folds of life, than this one. To love is an accomplishment.


    I hope you enjoyed it, and hopefully there is more to come.
    One has to laugh before being happy, because otherwise one risks to die before having laughed.

    "Je crains [...] que l'âme ne se vide à ces passe-temps vains, et que le fin du fin ne soit la fin des fins." (Edmond Rostand, Cyrano de Bergerac, Acte III, Scène VII)

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    Registered User kelby_lake's Avatar
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    Beauty is always the result of an accident. Of a violent lapse between acquired habits and those yet to be acquired.

    Jean Cocteau. I just liked it.

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    Nice topic. I would have to say the most beautiful thing I have read is "Dark Night of the Soul" by St. John of the Cross (1585) about a soul's union with God. Beautiful poem of love, made more beautiful by the subject matter, in my estimation. Full of wonderful metaphor and symbolism.


    1. One dark night,
    fired with love's urgent longings
    - ah, the sheer grace! -
    I went out unseen,
    my house being now all stilled.

    2. In darkness, and secure,
    by the secret ladder, disguised,
    - ah, the sheer grace! -
    in darkness and concealment,
    my house being now all stilled.

    3. On that glad night,
    in secret, for no one saw me,
    nor did I look at anything,
    with no other light or guide
    than the one that burned in my heart.

    4. This guided me
    more surely than the light of noon
    to where he was awaiting me
    - him I knew so well -
    there in a place where no one appeared.

    5. O guiding night!
    O night more lovely than the dawn!
    O night that has united
    the Lover with his beloved,
    transforming the beloved in her Lover.

    6. Upon my flowering breast
    which I kept wholly for him alone,
    there he lay sleeping,
    and I caressing him
    there in a breeze from the fanning cedars.

    7. When the breeze blew from the turret,
    as I parted his hair,
    it wounded my neck
    with its gentle hand,
    suspending all my senses.

    8. I abandoned and forgot myself,
    laying my face on my Beloved;
    all things ceased; I went out from myself,
    leaving my cares
    forgotten among the lilies.

  4. #4
    Fern Hill

    Now as I was young and easy under the apple boughs
    About the lilting house and happy as the grass was green,
    The night above the dingle starry,
    Time let me hail and climb
    Golden in the heydays of his eyes,
    And honoured among wagons I was prince of the apple towns
    And once below a time I lordly had the trees and leaves
    Trail with daisies and barley
    Down the rivers of the windfall light.

    And as I was green and carefree, famous among the barns
    About the happy yard and singing as the farm was home,
    In the sun that is young once only,
    Time let me play and be
    Golden in the mercy of his means,
    And green and golden I was huntsman and herdsman, the calves
    Sang to my horn, the foxes on the hills barked clear and cold,
    And the sabbath rang slowly
    In the pebbles of the holy streams.

    All the sun long it was running, it was lovely, the hay
    Fields high as the house, the tunes from the chimneys, it was air
    And playing, lovely and watery
    And fire green as grass.
    And nightly under the simple stars
    As I rode to sleep the owls were bearing the farm away,
    All the moon long I heard, blessed among stables, the nightjars
    Flying with the ricks, and the horses
    Flashing into the dark.

    And then to awake, and the farm, like a wanderer white
    With the dew, come back, the **** on his shoulder: it was all
    Shining, it was Adam and maiden,
    The sky gathered again
    And the sun grew round that very day.
    So it must have been after the birth of the simple light
    In the first, spinning place, the spellbound horses walking warm
    Out of the whinnying green stable
    On to the fields of praise.

    And honoured among foxes and pheasants by the gay house
    Under the new made clouds and happy as the heart was long,
    In the sun born over and over,
    I ran my heedless ways,
    My wishes raced through the house high hay
    And nothing I cared, at my sky blue trades, that time allows
    In all his tuneful turning so few and such morning songs
    Before the children green and golden
    Follow him out of grace.

    Nothing I cared, in the lamb white days, that time would take me
    Up to the swallow thronged loft by the shadow of my hand,
    In the moon that is always rising,
    Nor that riding to sleep
    I should hear him fly with the high fields
    And wake to the farm forever fled from the childless land.
    Oh as I was young and easy in the mercy of his means,
    Time held me green and dying
    Though I sang in my chains like the sea.

    Dylan Thomas

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    Quote Originally Posted by kiki1982 View Post
    I thought this would be rather inspiring... In order to maybe make other people read that book you love...

    Here is mine:
    It is from Victor Hugo's Les Misérables, and is taken from the Fifth Part Jean Valjean, Sixth Book The white Night, Chapter II Jean Valjean has his arm still wrapped.
    It is the part about the wedding night of Marius and Cosette. The first time I read it I was really struck about the tone, the style and the image Hugo took to describe the wedding night. It was a touching image Hugo made. I couldn't read on for a while until I had got over it.
    I've always been very moved by another scene from Les Misérables, the dialogue between the bishop and the dying conventionary. I can't quote verbatim, but I've always felt a lump in my throat when the bishop mentions the king's murdered son, and the revolutionary says they should weep for all suffering children - "I will weep with you for the children of kings, provided that you weep with me for the children of the people". To which the bishop replies: "I weep for all". And the dying man says: "If the balance must incline, let it be on the side of the people - they have been suffering longer".

  6. #6
    Kafkaesque johann cruyff's Avatar
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    Noću, u intimnom, poluglasnom razgovoru sa samim sobom, nikako ne mogu zapravo logički opravdati zašto se u posljednje vrijeme toliko uzrujavam zbog ljudske gluposti.

    Miroslav Krleža

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    Searching for..... amalia1985's Avatar
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    From Wuthering Heights by Emily Bronte.
    Chapter XVI, the moment when Nellie informs Heathcliff of Catherine's death, and his reply:

    " May she woke in torment!", he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there- not in heaven- not perished- where? Oh! You said you cared nothing for my sufferings! And I pray one prayer- I repeat it till my tongue stiffens- Catherine Earnshaw, may you not rest as long as I am living! You said I killed you- haunt me, then! The murdered [I]do[I] haunt their murderers, I believe. I know that ghosts have wondered on earth. Be with me always- take any form- drive me mad! Only do not lleave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!"
    None are more hopelessly enslaved than those who falsely believe that they are free.
    -Goethe

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    Registered User raider60's Avatar
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    Quote Originally Posted by amalia1985 View Post
    From Wuthering Heights by Emily Bronte.
    Chapter XVI, the moment when Nellie informs Heathcliff of Catherine's death, and his reply:

    " May she woke in torment!", he cried, with frightful vehemence, stamping his foot, and groaning in a sudden paroxysm of ungovernable passion. "Why, she's a liar to the end! Where is she? Not there- not in heaven- not perished- where? Oh! You said you cared nothing for my sufferings! And I pray one prayer- I repeat it till my tongue stiffens- Catherine Earnshaw, may you not rest as long as I am living! You said I killed you- haunt me, then! The murdered [I]do[I] haunt their murderers, I believe. I know that ghosts have wondered on earth. Be with me always- take any form- drive me mad! Only do not lleave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!"
    Good stuff here--

  9. #9
    Jealous Optimist Dori's Avatar
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    One of my favorite passages (I prefer the Garnett translation--of this passage especially--but another is provided for those who particularly dislike Garnett's translations):

    THE IDIOT by Fyodor Dostoevsky
    Excerpted from Part II, Chapter V

    • Eva Martin's Translation
      This must be thought out; it was clear that there had been no hallucination at the station then, either; something had actually happened to him, on both occasions; there was no doubt of it. But again a loathing for all mental exertion overmastered him; he would not think it out now, he would put it off and think of something else. He remembered that during his epileptic fits, or rather immediately preceding them, he had always experienced a moment or two when his whole heart, and mind, and body seemed to wake up to vigour and light; when he became filled with joy and hope, and all his anxieties seemed to be swept away for ever; these moments were but presentiments, as it were, of the one final second (it was never more than a second) in which the fit came upon him. That second, of course, was inexpressible. When his attack was over, and the prince reflected on his symptoms, he used to say to himself: "These moments, short as they are, when I feel such extreme consciousness of myself, and consequently more of life than at other times, are due only to the disease—to the sudden rupture of normal conditions. Therefore they are not really a higher kind of life, but a lower." This reasoning, however, seemed to end in a paradox, and lead to the further consideration:—"What matter though it be only disease, an abnormal tension of the brain, if when I recall and analyze the moment, it seems to have been one of harmony and beauty in the highest degree—an instant of deepest sensation, overflowing with unbounded joy and rapture, ecstatic devotion, and completest life?" Vague though this sounds, it was perfectly comprehensible to Muishkin, though he knew that it was but a feeble expression of his sensations.

      That there was, indeed, beauty and harmony in those abnormal moments, that they really contained the highest synthesis of life, he could not doubt, nor even admit the possibility of doubt. He felt that they were not analogous to the fantastic and unreal dreams due to intoxication by hashish, opium or wine. Of that he could judge, when the attack was over. These instants were characterized—to define it in a word—by an intense quickening of the sense of personality. Since, in the last conscious moment preceding the attack, he could say to himself, with full understanding of his words: "I would give my whole life for this one instant," then doubtless to him it really was worth a lifetime. For the rest, he thought the dialectical part of his argument of little worth; he saw only too clearly that the result of these ecstatic moments was stupefaction, mental darkness, idiocy. No argument was possible on that point. His conclusion, his estimate of the "moment," doubtless contained some error, yet the reality of the sensation troubled him. What's more unanswerable than a fact? And this fact had occurred. The prince had confessed unreservedly to himself that the feeling of intense beatitude in that crowded moment made the moment worth a lifetime. "I feel then," he said one day to Rogojin in Moscow, "I feel then as if I understood those amazing words—'There shall be no more time.'" And he added with a smile: "No doubt the epileptic Mahomet refers to that same moment when he says that he visited all the dwellings of Allah, in less time than was needed to empty his pitcher of water." Yes, he had often met Rogojin in Moscow, and many were the subjects they discussed. "He told me I had been a brother to him," thought the prince. "He said so today, for the first time."
    • Constance Garnett's Translation
      [...] It was clear now that it had not been his imagination at the station either, that something real must have happened to him, and that it must be overcome again by a sort of insuperable inner loathing: he did not want to think anything out, and he did not; he fell to musing on something quite different.

      He remembered among other things that he always had one minute just before the epileptic fit (if it came on while he was awake), when suddenly in the midst of sadness, spiritual darkness and oppression, there seemed at moments a flash of light in his brain, and with extraordinary impetus all his vital forces suddenly began working at their highest tension. The sense of life, the consciousness of self, were multiplied ten times at these moments which passed like a flash of lightning. His mind and his heart were flooded with extraordinary light; all his uneasiness, all his doubts, all his anxieties were relieved at once; they were all merged in a lofty calm, full of serene, harmonious joy and hope. But these moments, these flashes, were only the prelude of that final second (it was never more than a second) with which the fit began. That second was, of course, unendurable. Thinking of that moment later, when he was all right again, he often said himself that all these gleams and flashes of the highest sensation of life and self-consciousness, and therefore also of the highest form of existence, were nothing but disease, the interruption of the normal conditions; and if so, uit was not at all the highest form of being, but on the contrary must be counted the lowest. And yet he came at last to an extremely paradoical conclusion. "What if it is disease?" he decided at last. "what does it matter that it is an abnormal intensity, if the result, if the minute of sensation, remembered and analyzed afterwards in health, turns out to be the acme of harmony and beauty, and gives a feeling, unknown and undivined till then, of completeness, of proportion, of reconciliation, and of ecstatic devotional merging in the highest synthesis of life?" These vague expressions seemed to him very comprehensible, though too weak. That it reall was "beauty and worship," that it really was the "highest synthesis of life" he could not doubt, and could not admit the possibility of doubt. It was not as though he saw abnormal and unreal visions of some sort at that moment, as from hashish, opium, or wine, destroying the reason and distorting the soul. He was quite capable of judging of that when the attack was over. These moments were only and extraordinary quickening of self-consciousness--if the condition was to be expressed in one word--and at the same time of the direct sensation of existence in the most intense degree. Since at that second, that is at the very last conscious moment before the fit, he had time to say to himself clearly and consciously, "Yes, for this moment one might give one's whole life!" then without doubt that moment was really worth the whole of life. He did not insist on the dialectical part of his argument, however. Stupefaction, spiritual darkness, idiocy, stood before him conspicuously as the consequence of these "higher moments"; seriously, of course, he could not have disputed it. There was undoubtedly a mistake in his conclusion--that is, in his estimate of that minute, but the reality of the sensation somewhat perplexed him. What was he to make of that reality? For the very thing had happened; he actually had said to himself at that second that, for the infinite happiness he had felt in it, that second really might well be worth the whole of life. "At that moment," Rogozhin one day in Moscow at the time when they used to meet there, "at that moment I seem somehow to understand the extraordinary saying that there shall be no more time. Probably," he added, smiling, "this is the very second which was not long enough for the water to be spilt out of Muhammad's pitcher, though the epileptic prophet had time to gaze at all the habitations of Allah."
    com-pas-sion (n.) [ME. & OFr. <LL. (Ec.) compassio, sympathy < compassus, pp. of compati, to feel pity < L. com-, together + pali, to suffer] sorrow for the sufferings or trouble of another or others, accompanied by an urge to help; deep sympathy; pity

    Dostoevsky Forum!

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    Voice of Chaos & Anarchy
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    I have ever hated all Nations professions and Communityes and all my love is towards individuals for instance I hate the tribe of Lawyers, but I love Councellor such a one, Judge such a one for so with Physicians (I will not Speak of my own Trade) Soldiers, English, Scotch, French; and the rest but pricipally I hate and detest that animal called man, although I hartily love John, Peter, Thomas and so forth. this is the system upon which I have governed my self many years
    Swift to Alexander Pope

    29 September 1725

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    That night he dreamt of horses in a field on a high plain where the spring rains had brought up the grass and the wildflowers out of the ground and the flowers ran all blue and yellow as far as the eye could see and in the dream he was among the horses running and in the dream he himself could run with the horses and they coursed the young mares and fillies over the plain where their rich bay and their rich chestnut colors shone in the sun and the young colts ran with the dames and trampled down the flowers in a haze of pollen that hung in the sun like powdered gold and they ran he and the horses out along the high mesas where the ground resounded under their running hooves and they flowed and changed and ran and their manes and tails blew off of them like spume and there was nothing else at all in that high world and they moved all of them in a resonance that was like a music among them and they were none of them afraid nor colt nor mare and they ran in that resonance which is the world itself and which cannot be spoken but only praised.

    -- Cormac McCarthy, All the Pretty Horses
    Last edited by lavendar1; 07-12-2008 at 06:52 PM.

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    Love the Dostoevsky.

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    What's the most bautiful thing (image, piece of text, etc.) you ever read?

    ''Promise to pay the Bearer''. I've read it many times and it never palls.

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    Quote Originally Posted by PeterL View Post
    Swift to Alexander Pope

    29 September 1725
    Let me offer this very wise quote from Dr. Johnson in defense of lawyers :

    "Consider, sir; what is the purpose of the courts of justice? It is, that every man may have his cause fairly tried, by men appointed to try causes. A lawyer is not to tell what he knows to be a false deed; but he is not to usurp the province of the jury and of the judge, and determine what shall be the effect of evidence -- what shall be the result of legal argument. As it rarely happens that is fit to plead his own cause, lawyers are a class of the community, who, by study and experience, have acquired the art and power of arranging evidence, and of applying to the points of issue what the law has settled. A lawyer is to do for his client all that his client might fairly do for himself, if he could. If, by a superiority of attention, of knowledge, of skill, and a better method of communication, he has the advantage of his adversary, it is an advantage to which he is entitled. There must always be some advantage, on one side or the other; and it is better that advantage should be had by talents, than by chance. If lawyers were to undertake no causes till they were sure they were just, a man might be precluded altogether from a trial of his claim, though, were it judicially examined, it might be a very just claim".

    (Boswell, Life of Johnson)
    Last edited by Pecksie; 07-13-2008 at 10:28 AM.

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    Artist and Bibliophile stlukesguild's Avatar
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    I don't think I could come up with a single "most beautiful" passage in literature... although I can think of a number. Milton's Paradise Lost is laden with some of the most exquisite passages in all of literature. The sensuality of the visual descriptions is perhaps all the more poignant when one realizes that the author is himself blind. One particular passage I admire deals directly with his blindness, as Milton tells of his own inner "sight":

    Thus with the Year
    Seasons return, but not to me returns
    Day, or the sweet approach of Ev'n or Morn,
    Or sight of vernal bloom, or Summers Rose,
    Or flocks, or herds, or human face divine;
    But cloud in stead, and ever-during dark
    Surrounds me, from the chearful waies of men
    Cut off, and for the book of knowledg fair
    Presented with a Universal blanc
    Of Natures works to mee expung'd and ras'd,
    And wisdome at one entrance quite shut out.
    So much the rather thou Celestial light
    Shine inward, and the mind through all her powers
    Irradiate, there plant eyes, all mist from thence
    Purge and disperse, that I may see and tell
    Of things invisible to mortal sight.


    In book VIII Milton has Adam describe Eve:

    The Rib he formd and fashond with his hands;
    Under his forming hands a Creature grew,
    Manlike, but different sex, so lovly faire,
    That what seemd fair in all the World, seemd now
    Mean, or in her summd up, in her containd
    And in her looks, which from that time infus'd
    Sweetness into my heart, unfelt before,
    And into all things from her Aire inspir'd
    The spirit of love and amorous delight...

    Grace was in all her steps, Heav'n in her Eye,
    In every gesture dignitie and love...

    To the Nuptial Bowre
    I led her blushing like the Morn: all Heav'n,
    And happie Constellations on that houre
    Shed thir selectest influence; the Earth
    Gave sign of gratulation, and each Hill;
    Joyous the Birds; fresh Gales and gentle Aires
    Whisper'd it to the Woods, and from thir wings
    Flung Rose, flung Odours from the spicie Shrub,
    Disporting, till the amorous Bird of Night
    Sung Spousal, and bid haste the Eevning Starr
    On his Hill top, to light the bridal Lamp.
    Thus I have told thee all my State, and brought
    My Storie to the sum of earthly bliss...

    As a visual artist I am drawn to literature that that is greatly sensual and descriptive of the senses... sight, sound, smell. This is probably the reason I read far more poetry than novels... although certainly not exclusively. Among such literature I immediately think of Proust, of Gautier's short tales, of Baudelaire, Rimbaud, Verlaine and the rest of the French Symbolists. I would certainly add to these the great English Renaissance writers. Shakespeare is obvious and I wouldn't know where to start... but also Robert Herrick. He's a master of the miniature... rather like those Elizabethan cameos. (Its only fitting that my collection of his poems is itself a miniature volume.) He's all flowers, perfume and other sweet scents, gems, and beautiful women. His touch is exquisitely light... "precious" in the finest sense of the world. "The Vine" has ever had me smile... if not burst out into laughter.

    "To His Mistresses"

    Put on your silks; and piece by piece
    Give them the scent of Amber-Greece:
    And for your breaths too, let them smell
    Ambrosia-like, or Nectarell:
    While other Gums their sweets perspire,
    By your owne jewels set on fire.


    "Delight in Disorder"

    A sweet disorder in the dresse
    Kindles in clothes a wantonesse:
    A Lawne about the shoulders thrown
    Into a fine distraction:
    An erring lace which here and there
    Enthralls the Crimson stomacher:
    A Cuffe, neglectfull, and thereby
    Ribbands to flow confusedly:
    A winning wave (desrving Note)
    In the tempestuous Petticote:
    A carelesse shooes-string, in whose tye
    I see a wilde civility:
    Doe more bewitch me, than when Art
    Is too precise in every part.


    "The Shooe Tying"

    Anthea bade me tye her shooe;
    I did, and kist the Instep too:
    And would have kist unto her knee,
    Had not her blush rebuked me.


    "Upon Julia's Clothes"

    Whenas in silks my Julia goes,
    Then, then, methinks, how sweetly flows
    That liquefaction of her clothes.

    Next, when I cast mine eyes and see
    That brave vibration each way free,
    O how that glittering taketh me!


    "The Vine"

    I dreamed this mortal part of mine
    Was Metamorphoz'd to a Vine;
    Which crawling one and every way,
    Enthralled my dainty Lucia.
    Me thought, her long small legs and thighs
    I with my Tendrills did surprize:
    Her Belly, Buttocks, and her Waste
    By my soft Nerv'lits were embraced:
    About her head I writhing hung
    And with rich clusters (hid among
    the leaves) her Temples I behung:
    So that my Lucia seemed to me
    Young Bacchus ravisht by his tree.
    My curles about her necke did craule,
    And armes and hands they did enthraull:
    So that she could not freely stir,
    (All parts there made one prisoner.)
    But when I crept with leaves to hide
    those parts, which maides keep unespy'd
    Such fleeting pleasure there I took
    That with the fancie, I awook;
    And found (Ah me!) this flesh of mine
    More like a Stock than like a Vine.


    Perhaps the most absolute example of sensual joy and beauty (also from and English Renaissance poet) that comes to my mind must surely be found in Edmund Spenser's Epithalamion or his wedding poem in celebration of his own marriage to Elizabeth Boyle, which followed the equally exquisite series of sonnets or Amoretti. While series of sonnets written to an unattainable love who continues to disdain the poet was a conceit of Renaissance poets from Dante and Petrarch on, Spencer raises this to an entirely new level. His love is quite real, and his sonnets document the very real courtship of Elizabeth Boyle, the future Lady Spencer. The cycle follows their evolving love... beginning with her disdainful and mocking rejection, through a growing respect, and blossoming forth into love. Spenser presents a woman as a intelligent thinking being, a worthy partner who is more than just physically beautiful... although he certainly sees that in her as well. This cycle of sonnets, second only (perhaps) to Shakespeare's, was crowned with the Epithalamion, or joyous wedding song. It is hard to imagine a greater expression of absolute joy and bliss found upon one's wedding day (selected quotes):

    Bring with you all the nymphes that you can heare,
    Both of the rivers and the forrests greene,
    And of the sea that neighbours to her neare,
    All with gay girlands goodly wel beseene*. 40
    And let them also with them bring in hand
    Another gay girland,
    For my fayre Love, of lillyes and of roses,
    Bound truelove wize with a blew silke riband.
    And let them make great store of bridale poses, 45
    And let them eke bring store of other flowers,
    To deck the bridale bowers:
    And let the ground whereas her foot shall tread,
    For feare the stones her tender foot should wrong,
    Be strewd with fragrant flowers all along, 50
    And diapred lyke the discolored mead.
    Which done, doe at her chamber dore awayt,
    For she will waken strayt;
    The whiles do ye this song unto her sing,
    The woods shall to you answer, and your eccho ring;...

    Wake now, my Love, awake! for it is time:
    The rosy Morne long since left Tithons bed, 75
    All ready to her silver coche to clyme,
    And Phoebus gins to shew his glorious hed.
    Hark! how the cheerefull birds do chaunt theyr laies,
    And carroll of Loves praise:
    The merry larke hir mattins sings aloft; 80
    The thrush replyes; the mavis* descant** playes;
    The ouzell@ shrills; the ruddock$ warbles soft;
    So goodly all agree, with sweet consent,
    To this dayes meriment.
    Ah! my deere Love, why doe ye sleepe thus long, 85
    When meeter were that ye should now awake,
    T'awayt the comming of your ioyous make,%
    And hearken to the birds love-learned song,
    The deawy leaves among!
    For they of ioy and pleasance to you sing, 90
    That all the woods them answer, and theyr eccho ring.

    My love is now awake out of her dreame,
    And her fayre eyes, like stars that dimmed were
    With darksome cloud, now shew theyr goodly beams
    More bright then Hesperus his head doth rere. 95
    Come now, ye damzels, daughters of delight,
    Helpe quickly her to dight.
    But first come, ye fayre Houres, which were begot,
    In Ioves sweet paradice, of Day and Night,
    Which doe the seasons of the year allot, 100
    And all that ever in this world is fayre
    Do make and still repayre:
    And ye three handmayds of the Cyprian Queene,
    The which doe still adorn her beauties pride,
    Helpe to adorne my beautifullest bride: 105
    And, as ye her array, still throw betweene
    Some graces to be scene;
    And, as ye use to Venus, to her sing,
    The whiles the woods shal answer, and your eccho ring...

    Loe! where she comes along with portly pace,
    Lyke Phoebe, from her chamber of the East,
    Arysing forth to run her mighty race, 150
    Clad all in white, that seems a virgin best.
    So well it her beseems, that ye would weene
    Some angell she had beene.
    Her long loose yellow locks lyke golden wyre,
    Sprinckled with perle, and perling flowres atweene,
    Doe lyke a golden mantle her attyre, 156
    And, being crowned with a girland greene,
    Seem lyke some mayden queene.
    Her modest eyes, abashed to behold
    So many gazers as on her do stare, 160
    Upon the lowly ground affixed are,
    Ne dare lift up her countenance too bold,
    But blush to heare her prayses sung so loud,--
    So farre from being proud.
    Nathlesse doe ye still loud her prayses sing, 165
    That all the woods may answer, and your eccho ring.

    Open the temple gates unto my Love,
    Open them wide that she may enter in, 205
    And all the postes adorne as doth behove,
    And all the pillours deck with girlands trim,
    For to receyve this saynt with honour dew,
    That commeth in to you.
    With trembling steps and humble reverence, 210
    She commeth in before th'Almighties view:
    Of her, ye virgins, learne obedience,
    When so ye come into those holy places,
    To humble your proud faces.
    Bring her up to th'high altar, that she may 215
    The sacred ceremonies there partake,
    The which do endlesse matrimony make;
    And let the roring organs loudly play
    The praises of the Loi'd in lively notes;
    The whiles, with hollow throates, 220
    The choristers the ioyous antheme sing,
    That all the woods may answer, and their eccho ring...

    Behold, whiles she before the altar stands,
    Hearing the holy priest that to her speakes
    And blesseth her with his two happy hands, 225
    How the red roses flush up in her cheekes,
    And the pure snow with goodly vermill stayne,
    Like crimsin dyde in grayne:
    That even the angels, which continually
    About the sacred altar doe remaine, 230
    Forget their service and about her fly,
    Ofte peeping in her face, that seems more fayre
    The more they on it stare.
    But her sad* eyes, still fastened on the ground,
    Are governed with goodly modesty, 235
    That suffers not one look to glaunce awry,
    Which may let in a little thought unsownd.
    Why blush ye, Love, to give to me your hand,
    The pledge of all our band?
    Sing, ye sweet angels, Alleluya sing, 240
    That all the woods may answer, and your eccho ring.

    Ring ye the bels, ye yong men of the towne,
    And leave your wonted labors for this day:
    This day is holy; doe ye write it downe,
    That ye for ever it remember may.
    This day the sunne is in his chiefest hight,
    With Barnaby the bright*,
    From whence declining daily by degrees,
    He somewhat loseth of his heat and light,
    When once the Crab behind his back he sees.
    But for this time it ill ordained was,
    To choose the longest day in all the yeare,
    And shortest night, when longest fitter weare:
    Yet never day so long, but late would passe.
    Ring ye the bels to make it weare away,
    And bonefiers make all day; 275
    And daunce about them, and about them sing,
    That all the woods may answer, and your eccho ring.
    Last edited by stlukesguild; 07-13-2008 at 12:45 PM.
    Beware of the man with just one book. -Ovid
    The man who doesn't read good books has no advantage over the man who can't read them.- Mark Twain
    My Blog: Of Delicious Recoil
    http://stlukesguild.tumblr.com/

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