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Thread: Stopping by Woods on a Snowy Evening and Identity

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    Question Stopping by Woods on a Snowy Evening and Identity

    How do the literary devices make this poem a well written one? Also, how do they make Identity a well written poem? In Identity, are the first 2 paragraphs the extended metaphor? Thanks

    Stopping By Woods On A Snowy Evening
    Whose woods these are I think I know.
    His house is in the village though;
    He will not see me stopping here
    To watch his woods fill up with snow.
    My little horse must think it queer
    To stop without a farmhouse near
    Between the woods and frozen lake
    The darkest evening of the year.
    He gives his harness bells a shake
    To ask if there is some mistake.
    The only other sound's the sweep
    Of easy wind and downy flake.
    The woods are lovely, dark and deep.
    But I have promises to keep,
    And miles to go before I sleep,
    And miles to go before I sleep.

    Identity
    by Julio Noboa Polanco

    Let them be as flowers,
    always watered, fed, guarded, admired,
    but harnessed to a pot of dirt.

    I'd rather be a tall, ugly weed,
    clinging on cliffs, like an eagle
    wind-wavering above high, jagged rocks.

    To have broken through the surface of stone,
    to live, to feel exposed to the madness
    of the vast, eternal sky.
    To be swayed by the breezes of an ancient sea,
    carrying my soul, my seed,
    beyond the mountains of time or into the abyss of the bizarre.

    I'd rather be unseen, and if
    then shunned by everyone,
    than to be a pleasant-smelling flower,
    growing in clusters in the fertile valley,
    where they're praised, handled, and plucked
    by greedy, human hands.

    I'd rather smell of musty, green stench
    than of sweet, fragrant lilac.
    If I could stand alone, strong and free,
    I'd rather be a tall, ugly weed.

  2. #2
    Haribol Acharya blazeofglory's Avatar
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    This is really mysterious, and particularly the poet's use of the way a horse thinks and man is superlatively superimposing.

    “Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature””

    “If water derives lucidity from stillness, how much more the faculties of the mind! The mind of the sage, being in repose, becomes the mirror of the universe, the speculum of all creation.

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    Genuine reaction...

    "Stopping By Woods..." is my favorite Frost poem with "Britches" and "Out, Out--" running close seconds!

    I was quite young and had not yet been introduced formally to poetry when I first read "Stopping By Woods..." yet I still recall the immense impact it had on me. It's such a visual poem, for one thing, and I was young with my life ahead of me with "miles to walk" before I slept. For many, many years the words echoed in my brain just as--later, much later when I was first introduced to Hamlet--the words "to thine own self be true..." became woven into my being and philosophy.

    Anyway, coming across it unexpectedly just now (perhaps not unlike the figure in the poem comes unexpectedly across the snowy field) and reading Frost's now-oh-so-familiar words flung me back across the great expanse of years to arrive instantly at that moment when youth experiences all new things with fresh eyes and unbridled zeal: so just now I caught a glimpse and re-experienced the sheer delight upon first reading this poem.

    What marvelous time-travel this poem has just provided! Indeed, the magic of poetry never ceases to amaze.
    Last edited by ctalerico; 07-10-2008 at 09:01 PM.
    "Cleanse my heart, give me the ability to rage correctly." --Joe Orton, Head to Toe

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    Registered User Beewulf's Avatar
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    Woods

    I recently had a similar experience with "Stopping by Woods." When I was in college, one of my professors liked to mock the regularity of the poem's trochaic metre. He felt the poem was memorable but not profound. Looking at it now, I completely disagree. Reading the final stanza "The woods are lovely, dark, and deep,/But I have promises to keep" with the experience of age, devastated me. It is a sublime work.

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    Quote Originally Posted by Beewulf View Post
    I recently had a similar experience with "Stopping by Woods." When I was in college, one of my professors liked to mock the regularity of the poem's trochaic metre. He felt the poem was memorable but not profound. Looking at it now, I completely disagree. Reading the final stanza "The woods are lovely, dark, and deep,/But I have promises to keep" with the experience of age, devastated me. It is a sublime work.
    Fascinating. I enjoyed reading your comments. I agree with you, the poem is definitely sublime. Your professor's criticism surprises me though. The reassuring heartbeat regularity of the consistent and predictable meter is, for me, a major underlying element that enhances its imagery and etched it into my mind making it so memorable after the passing of so many years. As you suggested in your observations, it's that very quality of memorability that marks the poem sublime and profound.
    "Cleanse my heart, give me the ability to rage correctly." --Joe Orton, Head to Toe

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    Haribol Acharya blazeofglory's Avatar
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    This is one of the poems that inspires me and indeed ignites in me a sense of accountability in the ordinary course of living , of course appeals to me to be more duty-bound, and wary of the destination I have set for. This is matchlessly beautiful, and appealingly moving, a mystic stuff and when I read them in the quietness and stillness of nature I gravitate to eternity.

    “Those who seek to satisfy the mind of man by hampering it with ceremonies and music and affecting charity and devotion have lost their original nature””

    “If water derives lucidity from stillness, how much more the faculties of the mind! The mind of the sage, being in repose, becomes the mirror of the universe, the speculum of all creation.

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