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#1 |
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The Brain Man
Join Date: Oct 2008
Location: Ocala, Florida
Posts: 157
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Question for the Day
In the Novel, Crime and Punishment, Raskolnikov is depicted, at first, as a self-centered individual with little to no regard for other peoples' feelings. This is true for most of the novel, in fact. This changes, however, during a crucial part in the novel, and allows the reader to realize that Raskolnikov does have empathy for others.
At what point in the novel does this happen? What other significant event happens during this time? No, there are no hints. I have been asked to make these questions, well, difficult! I will present one a day (or try to) until such time as others have completed with the novel and grow tired of discussing it, or tired of my questions. They will all appear in this thread, so come back daily to see the question(s).
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Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not a spiteful. I am a sicker man! I might foam at the mouth, but bring me a doll to play with, bring me a cup of tea with sugar in it, and maybe I will be appeased! I might even genuinely be touched, though probably I should grind my teeth at myself afterward and lie awake at night with shame for months after. That is my way. |
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#2 |
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Ataraxia
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Acquaintance with Marmeladov's family; and seeing how miserable they are and what sacrifice Sonya made for them and realization of beauty of her soul.
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At thunder and tempest, At the world's coldheartedness, During times of heavy loss And when you're sad The greatest art on earth Is to seem uncomplicatedly gay. To get things clear, they have to firstly be very unclear. But if you get them too quickly, you probably got them wrong. If you need me urgent, send me a PM
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#3 |
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Critical from Birth
Join Date: Nov 2008
Posts: 276
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Perhaps his dream about the horse being whipped.
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#4 |
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The Brain Man
Join Date: Oct 2008
Location: Ocala, Florida
Posts: 157
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One is close
Bazarov is close, but no cigar. I will let the others chime in first before I reveal the answer.
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Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not a spiteful. I am a sicker man! I might foam at the mouth, but bring me a doll to play with, bring me a cup of tea with sugar in it, and maybe I will be appeased! I might even genuinely be touched, though probably I should grind my teeth at myself afterward and lie awake at night with shame for months after. That is my way. Last edited by mea505; 12-11-2008 at 05:09 PM. |
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#5 |
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Critical from Birth
Join Date: Nov 2008
Posts: 276
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Speaking to Marmeladov in the bar while everyone else ignores him? I could have sworn it was the horse, too.
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#6 |
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the beloved:
Join Date: Oct 2007
Location: Australia
Posts: 824
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Is Raskolnikov's empathy for others hinted at even in Chapter 1?
In the corner a light was burning before a small ikon. Everything was very clean; the floor and the furniture were brightly polished; everything shone. |
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#7 | |
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Jealous Optimist
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Quote:
An excerpt from the chapter: Five minutes passed. He paced silently up and down without looking at her. Then he went up to her. His eyes flashed. He took her by the shoulders with both his hands and looked straight into her grieving face. His glance was dry, inflamed, piercing; his lips trembled violently. Suddenly and swiftly he stooped all the way down, fell to the floor, and kissed her foot. Sonia drew back from him in horror, as from a madman. Actually, he looked quite mad.
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com-pas-sion (n.) [ME. & OFr. <LL. (Ec.) compassio, sympathy < compassus, pp. of compati, to feel pity < L. com-, together + pali, to suffer] sorrow for the sufferings or trouble of another or others, accompanied by an urge to help; deep sympathy; pityDostoevsky Forum! |
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#8 |
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the beloved:
Join Date: Oct 2007
Location: Australia
Posts: 824
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#9 |
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The Brain Man
Join Date: Oct 2008
Location: Ocala, Florida
Posts: 157
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And Now, the Answer
In Part IV, Chapters I-III, it is the breaking of the engagement between Dunya and Luzhin, which is a major event not only for Dunya but also for Raskolnikov. His sudden irritation after Luzhin's departure seems, at first, abrupt, but a close look at the timing of his decision to leave reveals its significance. Only after he realizes that Razumikhin will take care of Dunya and Pulcheria Alexandrovna does Raskolnikov announce his need to separate from them. Tainted by his crime, he wishes to distance himself from them, but is unwilling to do so until he knows that they will be cared for. This consideration marks the beginning of a character change; for the first time, he seems to care for others and not just himself.
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Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not a spiteful. I am a sicker man! I might foam at the mouth, but bring me a doll to play with, bring me a cup of tea with sugar in it, and maybe I will be appeased! I might even genuinely be touched, though probably I should grind my teeth at myself afterward and lie awake at night with shame for months after. That is my way. |
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#10 | |
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Jealous Optimist
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Quote:
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com-pas-sion (n.) [ME. & OFr. <LL. (Ec.) compassio, sympathy < compassus, pp. of compati, to feel pity < L. com-, together + pali, to suffer] sorrow for the sufferings or trouble of another or others, accompanied by an urge to help; deep sympathy; pityDostoevsky Forum! |
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#11 | |
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the beloved:
Join Date: Oct 2007
Location: Australia
Posts: 824
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Quote:
Irrespective of Razumikhin's kind intervention, Raskolnikov's imminent separation from his family is almost inevitable, whether by flight, suicide or prison. Caring for his family is becoming impossible for him. I think Raskolnikov deeply cares 'for others and not just himself', from the first chapter onwards. The novel hinges on his deep compassion for Lizaveta, Marmeladov, Sonia, Dunya, the molested girl, the whipped horse, and others. |
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#12 |
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Critical from Birth
Join Date: Nov 2008
Posts: 276
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The whipped horse is very explicit, and in my opinion placed there by Dostoevsky for the purpose of conveying Raskolnikov's compassion.
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#13 |
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The Brain Man
Join Date: Oct 2008
Location: Ocala, Florida
Posts: 157
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I do concede
After reading the posts, I do concede, now, that there were more than one instance in the novel when he had a turning point, with respect to his character; therefore, I stand corrected!
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Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not a spiteful. I am a sicker man! I might foam at the mouth, but bring me a doll to play with, bring me a cup of tea with sugar in it, and maybe I will be appeased! I might even genuinely be touched, though probably I should grind my teeth at myself afterward and lie awake at night with shame for months after. That is my way. |
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#14 |
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The Brain Man
Join Date: Oct 2008
Location: Ocala, Florida
Posts: 157
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Thanks for the Help, Bazarov!
Thanks for the help with the picture, Bazarov! I finally got it to upload.
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Why, the whole point, the real sting of it lay in the fact that continually, even in the moment of the acutest spleen, I was inwardly conscious with shame that I was not a spiteful. I am a sicker man! I might foam at the mouth, but bring me a doll to play with, bring me a cup of tea with sugar in it, and maybe I will be appeased! I might even genuinely be touched, though probably I should grind my teeth at myself afterward and lie awake at night with shame for months after. That is my way. |
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#15 | |
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the beloved:
Join Date: Oct 2007
Location: Australia
Posts: 824
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Compassionate but rational
Quote:
Unlike Svidrigailov, Raskolnikov is, by nature, a compassionate man. That is the paradox of the novel: Raskolnikov is compassionate but also lethally rational. |
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