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| View Poll Results: Why? | |||
| He was just nasty |
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1 | 11.11% |
| He was sadistic, in the real sense of the word |
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4 | 44.44% |
| He was in love with Othello |
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0 | 0% |
| He was power-hungry |
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1 | 11.11% |
| He was obsessive |
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1 | 11.11% |
| He was unloved |
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0 | 0% |
| He was in love with Desdemona |
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0 | 0% |
| Other (please state) |
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3 | 33.33% |
| Multiple Choice Poll. Voters: 9. You may not vote on this poll | |||
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#1 |
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Registered User
Join Date: Mar 2008
Posts: 1,625
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Why was Iago so cruel?
Well, he was kinda born a bit warped methinks, but place your bets!
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#2 |
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Bibliophile
Join Date: Feb 2007
Location: Canada
Posts: 4,127
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Other, he was a nihilist, and brought down Othello, as a means of bringing down authority. In truth, many readers have viewed the play as featuring Iago as the main character, and not Othello, since he speaks far more often, and we hear a lot more from him than Othello.
I think Iago was a genius, and was playing to destroy structured society, and society in general. Desdemona was just a means to an end, as he saw the best way to destroy the Moor was through her. I think it is impossible to say that he was "in love" with Desdemona, as he gets her killed for the sake of his own scheme, and I am reluctant to accept any queer-theory reading or Freudian reading of this work, because there isn't much backing. I would say that Iago seeks to destroy the power of authority, throughout the whole work, by first ruining Othello's wedding night, then the first night in Cypress, where he causes the riot, then, eventually destroys the pitiful Roderigo, and Desdemona, and Othello, and even his wife. He wins in the end, and knows it too well. It is his misogyny that causes him to be revealed however, after he has already won, and as a result, he is killed/punished offstage.
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S'i' Fosse Foco, arderei 'l mondo - Cecco Angiolieri c. 1260-1312 |
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#3 |
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Registered User
Join Date: Mar 2008
Posts: 1,625
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I think Iago doesn't like authority too, but I think he wants the power. He gets really annoyed when Cassio innocently kisses Emilia, and you can't argue it's jealousy out of love because he's not exactly a loving husband. It reminds him that his rank is lower, doesn't it? He certainly seems to have renounced pretty much all his morals.
Do you mean nihilist or anarchist or both? |
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#4 |
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The Fairy Thief
Join Date: Nov 2006
Location: sitting by the Black Pool of Faerie, thinking of a celt by a lake.
Posts: 12,790
Blog Entries: 143
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I loved acting Iago. There is such freedom of expression in that role. If you have a lot of anger bottled up, the release is amazing when being Iago. He is almost the personification of evil.
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"Come away O human child!To the waters of the wild, With a faery hand in hand, For the worlds more full of weeping than you can understand." W.B.Yeats "If it looks like a Dwarf and smells like a Dwarf, then it's probably a Dwarf (or a latrine wearing dungarees)" Artemins Fowl and the Lost Colony by Eoin Colfer my poems-please comment Forum Rules |
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#5 |
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Searching for.....
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I'l agree with you. In my opinion, Iago is one of the most complex characters of Shakespeare, up there with Shylock. I think that he is overwhelmed with anger, the desire to change everything around him, he is full of hatred. I cannot really suggest whether he is an anarchist or a nihilist- although, in my way of thinking, I would probably support the anarchist point of view- but I think that he is condemned to love what he hates, and that is power, as kelby_lake suggested. I don't think that his actual motivation is the utter desire to take the power for himself, but to annihilate the Authority- both the institution as a notion, perhaps (if we perform a modern, political reading), and those who represent Order. I agree with Niahm. Iago has always been one of my favourite Shakespeare characters.
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None are more hopelessly enslaved than those who falsely believe that they are free. -Goethe |
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#6 |
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Registered User
Join Date: Sep 2008
Location: Pittsburgh
Posts: 4
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Iago felt betrayed by Othello-both personally and in his soldierly profession-and for him just feeling was enough. He didn't actually care if that was the truth because in many ways the truth didn't matter to him. Arguably, Shakespeare's greatest,and most underestimated, creation. He fails because he is not challenged and grows overconfident.One of the most common comments about HAMLET is that, if you switched the protaganists in the two plays, there would be no plays because Othello would simply kill Claudius and Hamlet would see through Iago misses the whole point of Iago and his place in this play.Not a humble opinion-but mine by Gawd(I love Flashman).
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#7 |
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Card-carrying Medievalist
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The text is really open to whatever interpretation the actors and the directors make of him. I've seen him as a bluff soldier with a chip on his shoulder who just gets lucky, and as an inhuman, malevolent clown, and everything in between.
Ultimately, he offers us several rather inadequte reasons for his actions, but none of them really pass muster. At the end of the play, he of course refuses to justify himself - denying both the other characters and the audience satisfaction. As Coleridge said of Iago's asides to the audience: "the motive-hunting of motiveless Malignity".
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"I should only believe in a God that would know how to dance. And when I saw my devil, I found him serious, thorough, profound, solemn: he was the spirit of gravity- through him all things fall. Not by wrath, but by laughter, do we slay. Come, let us slay the spirit of gravity!" - Nietzsche |
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#8 | |
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Vincit Qui Se Vincit
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Quote:
As a high ranking subordinate to Othello he is part of authority. He is Othello's right hand man and therefore 99% of the army would fall under him. If anything the play relates to Machiavelliean impulses to overthrow the Prince for personal power.
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LET THERE BE LIGHT "That day I shall always recollect with grief; with reverence also, for the gods so willed it." - Virgil, The Aeneid (V, 49) Distracted from distraction by distraction Last edited by Virgil; 02-22-2009 at 10:05 AM. |
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#9 |
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Registered User
Join Date: Mar 2008
Posts: 1,625
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Iago has a pretty low rank, army-wise.
Othello and Cassio are both idiots. |
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#10 |
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who me??
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Yikes, we'll be ancient before we work this out. I can't vote because I can't decide. Perhaps this was why - given the complex nature of Iago - Coleridge concluded that it was in the end 'motiveless malignity'. However I've never been a fan S. T Coleridge so that goes out the window....
Is he evil? No, I don't think so. He doesn't kill for the pleasure but rather as a means to an end, he kills because he has to - even at the end - Emilia might have lived had she not said anything. I think modern day psychologist would say he was unloved yet unfortunately we don't know enough from the play to come to that conclusion. As for wanting to overthrow authority - it could be a sub-motive but hardly the fundamental one. It also makes me wonder why he would undermine Othello in his personal life rather than professional if he wanted to overthrow authority - because it's easier? The best way to get to Othello? Unlikely that a genius like Iago would look for an easy way like this. Also Othello, being a Moor, was not exactly a figure of authority despite he's noble temperament - hence by Desdemona's father was outraged when he heard about the elopement. Would he have reacted like that if Cassio - also a figure of authority had married his daughter? I think not. Impossible to decide! After all, he is not what he is ('I am not what I am') so we have nothing go on!
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We can never know what to want, because living only one life we can neither compare it with our previous lives, nor perfect it in our lives to come' Milan Kundera,The Unbearable Lightness of Being Parce que c'est toi, parce que c'est moi |
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#11 |
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who me??
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Also, Iago sure knows a lot about 'the green eyed monster'. Could it be possible that Emilia 'cuckolded' him once? She does talk promiscuously to Desdomona in the famous bathing scene before Desdemon's death.
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We can never know what to want, because living only one life we can neither compare it with our previous lives, nor perfect it in our lives to come' Milan Kundera,The Unbearable Lightness of Being Parce que c'est toi, parce que c'est moi |
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#12 |
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Registered User
Join Date: Mar 2008
Posts: 1,625
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Maybe, maybe...
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