1. Why do poets use emjambment (apart from conforming the rhyming scheme)? What meaning can it be constructed through emjambment?
For example: a poem by Elizabeth Barrett Browning- Consolation
Lines 1, 2 are run-on lines.
- ALL are not taken; there are left behind
- Living Belovèds, tender looks to bring
- And make the daylight still a happy thing,
- And tender voices, to make soft the wind:
2. I've seen in some poems there is one extra syllable added to the last feet in one particular line, is it a way to emphasizing something?