Forgive me if I'm blind but I cannot, for the life of me find threads on The Rivals which have helpful information.
Has anyone studied this particular anti-sentimental comedy play? I have plenty of doubts and would really like some help.
Thanks
Forgive me if I'm blind but I cannot, for the life of me find threads on The Rivals which have helpful information.
Has anyone studied this particular anti-sentimental comedy play? I have plenty of doubts and would really like some help.
Thanks
Last edited by SpriTe0110; 04-07-2013 at 11:34 PM.
I'm more familiar with School for Scandal, but I might be able to direct you towards useful sources. If you have general questions about eighteenth-century theatre I could be a bit more helpful.
"If the national mental illness of the United States is megalomania, that of Canada is paranoid schizophrenia."
- Margaret Atwood
This essay by Oliver Goldsmith should help you out.
http://www.ourcivilisation.com/smart...dsmth/theatre/
Goldsmith's attack on sentimental comedy is essentially the same that Sheridan is reacting against in his 'laughing comedies'. Keep in mind that Goldsmith is a bit biased, one of the reasons sentimental comedy came to become a prominent genre was a reaction against classical and French forms of drama, as well as a greater interest in sentimentalism in general (which became particularly important leading into the Romantic period). It also allowed a genre for authors to explore things like emotion and virtue on stage, where as traditional laughing comedies that sought to correct vice, in line with Horatian theories of comedy, often ran up against censorship. They were also often considered to be good vehicles for the stage stars of the period, who were increasingly massive celebrities.
Last edited by OrphanPip; 04-10-2013 at 06:00 PM.
"If the national mental illness of the United States is megalomania, that of Canada is paranoid schizophrenia."
- Margaret Atwood