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Thread: William Topaz McGonagall

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    Card-carrying Medievalist Lokasenna's Avatar
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    William Topaz McGonagall

    Following a long chat with some friends on this very subject the other night, I thought it would be good for us to celebrate the worst creative genius the English language has ever known: William Topaz McGonagall, the Poet and Tragedian of Dundee (1825-1902). The following extract is from Stephen Pile's Book of Heroic Failures:

    The Worst British Poet

    With William Topaz McGonagall, we approach one of the giants in our field. He was so giftedly bad that he backed unwittingly into genius. Combining a minimal feel for the English language with a total lack of self-awareness and nil powers of observation, he became a poet.

    Sitting in his back room in Paton’s Lane, Dundee, wishing he was on holiday, he was seized with a desire to write poetry. He paced the room, saying, “But I know nothing about poetry.” Thus qualified he sat down and penned his first great work.

    An Address to the Rev George Gilfillan

    All hail to the Rev George Gilfillan of Dundee,
    He is the greatest preacher I did ever hear or see.
    He is a man of genius bright,
    And in him his congregation does delight,
    Because they find him to be honest and plain,
    Affable in temper, and seldom known to complain.
    He preaches in a plain straightforward way,
    The people flock to hear him night and day,
    And hundreds from the doors are often turn’d away,
    Because he is the greatest preacher of the present day.
    He has written the life of Sir Walter Scott,
    And while he lives he will never be forgot,
    Nor when he is dead,
    Because by his admirers it will be often read;
    And fill their minds with wonder and delight,
    And wile away the tedious hours on a cold winter’s night.
    He has also written about the Bards of the Bible,
    Which occupied nearly three years in which he was not idle,
    Because when he sits down to write he does it with might and main,
    And to get an interview with him it would be almost vain,
    And in that he is always right,
    For the Bible tells us whatever your hands findeth to do,
    Do it with all your might.
    Rev George Gilfillan of Dundee, I must conclude my muse,
    And to write in praise of thee my pen does not refuse,
    Nor does it give me pain to tell the world fearlessly, that when
    You are dead they shall not look upon your like again.

    On one famous occasion, he read this and other of his poems in a pub. “It was a great triumph. The publican told the waiter to throw a wet towel at me, which, of course, the waiter did and I received the wet towel, full force, in the face,” he wrote in his diary.


    I thought it would be nice to make a thread where we could share our favourite McGonagall disasters, and revel in his bizarre anti-brilliance. His penchant for dreadful rhymes, his total lack of rhythm, and his often weird and ridiculous use of imagery does, if nothing else, make his poems unintentional comedy gems. I'll start with the perennial favourite, The Tay Bridge Disaster:

    Beautiful Railway Bridge of the Silv’ry Tay!
    Alas! I am very sorry to say
    That ninety lives have been taken away
    On the last Sabbath day of 1879,
    Which will be remember’d for a very long time.

    ‘Twas about seven o’clock at night,
    And the wind it blew with all its might,
    And the rain came pouring down,
    And the dark clouds seem’d to frown,
    And the Demon of the air seem’d to say-
    “I’ll blow down the Bridge of Tay.”

    When the train left Edinburgh
    The passengers’ hearts were light and felt no sorrow,
    But Boreas blew a terrific gale,
    Which made their hearts for to quail,
    And many of the passengers with fear did say-
    “I hope God will send us safe across the Bridge of Tay.”

    But when the train came near to Wormit Bay,
    Boreas he did loud and angry bray,
    And shook the central girders of the Bridge of Tay
    On the last Sabbath day of 1879,
    Which will be remember’d for a very long time.

    So the train sped on with all its might,
    And Bonnie Dundee soon hove in sight,
    And the passengers’ hearts felt light,
    Thinking they would enjoy themselves on the New Year,
    With their friends at home they lov’d most dear,
    And wish them all a happy New Year.

    So the train mov’d slowly along the Bridge of Tay,
    Until it was about midway,
    Then the central girders with a crash gave way,
    And down went the train and passengers into the Tay!
    The Storm Fiend did loudly bray,
    Because ninety lives had been taken away,
    On the last Sabbath day of 1879,
    Which will be remember’d for a very long time.

    As soon as the catastrophe came to be known
    The alarm from mouth to mouth was blown,
    And the cry rang out all o’er the town,
    Good Heavens! the Tay Bridge is blown down,
    And a passenger train from Edinburgh,
    Which fill’d all the peoples hearts with sorrow,
    And made them for to turn pale,
    Because none of the passengers were sav’d to tell the tale
    How the disaster happen’d on the last Sabbath day of 1879,
    Which will be remember’d for a very long time.

    It must have been an awful sight,
    To witness in the dusky moonlight,
    While the Storm Fiend did laugh, and angry did bray,
    Along the Railway Bridge of the Silv’ry Tay,
    Oh! ill-fated Bridge of the Silv’ry Tay,
    I must now conclude my lay
    By telling the world fearlessly without the least dismay,
    That your central girders would not have given way,
    At least many sensible men do say,
    Had they been supported on each side with buttresses,
    At least many sensible men confesses,
    For the stronger we our houses do build,
    The less chance we have of being killed.
    "I should only believe in a God that would know how to dance. And when I saw my devil, I found him serious, thorough, profound, solemn: he was the spirit of gravity- through him all things fall. Not by wrath, but by laughter, do we slay. Come, let us slay the spirit of gravity!" - Nietzsche

  2. #2
    One ring to rule them all Hawkman's Avatar
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    All hail the poet McGonagall
    A man of wordy gifts most prodigal
    And though I really hate to say
    I liked his lay on the bridge of Tay
    I laughed out loud at the final verse
    Which made a sow’s ear from a silk purse.

    Oh no, not again...

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    Maybe YesNo's Avatar
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    Here's one on some attempted assassination of Queen Victoria:

    http://www.mcgonagall-online.org.uk/...n-of-the-queen

    His odd endings are part of what make these funny (outside of the contorted word order to make the rhymes work):

    And let her live and die in peace
    Is the end of my song.

    He really didn't have to end this with a pleasant wish regarding her dying, but that's what makes this amusing to me.

    As far as being the worst creative genius of the English language, I think the most one can say is he may the worst up to the 20th century. We've progressed on all fronts since his time.

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    Card-carrying Medievalist Lokasenna's Avatar
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    The great Tragedian was also an actor, of course - and here's an account of his first staged performance, also from Pile's book:

    William McGonagall’s first stage appearance was as Macbeth at Mr Giles’s Theatre in Dundee. Realizing what a talent McGonagall had, Mr Giles said that he could only appear if a large sum of money was paid to the theatre in cash before the performance.

    McGonagall said he considered this “rather hard”, but his fellow workers at the Seafield Handloom Works in Dundee had a whip round. They had heard him reciting Shakespeare at work, in his own unique way, and were keen to see him turned loose amidst professional actors.

    “When the great night arrived,” McGonagall wrote in his diary, “my shopmates were in high glee with the hope of getting a Shakespearian treat from me. And I can assure you, without boasting, they were not disappointed.”

    When he appeared on stage, he was received with a perfect storm of applause. When he uttered his first line – “So foul and fair a day I have not seen” – there was a deafening ovation.

    The high spot came in the final scene, when Macduff is supposed to kill Macbeth in a sword fight. Unwisely, the actor playing Macduff told McGonagall to “cut it short”.

    Suspecting that the actor was jealous of the acclaim he was receiving, McGonagall refused to die. A new ending to ‘Macbeth’ seemed imminent.

    “I continued the combat until he was fairly exhausted, and there was one old gentleman in the audience cried out: “Well done, McGonagall! Walk into him!” And so I did until he (Macduff) was in great rage, and stamped his foot, and cried out “Fool! why don’t you fall?” And when I did fall, the cry was “McGonagall! McGonagall! Bring him out! Bring him out!” Until I had to come out and receive an ovation from the audience.”
    "I should only believe in a God that would know how to dance. And when I saw my devil, I found him serious, thorough, profound, solemn: he was the spirit of gravity- through him all things fall. Not by wrath, but by laughter, do we slay. Come, let us slay the spirit of gravity!" - Nietzsche

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    I think he's one of the Scottish greats

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    End inSight Silas Thorne's Avatar
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    I remember these precious lines from 'The Clepington Catastrophe' :

    But accidents will happen by land and by sea,
    Therefore, to save ourselves from accidents, we needn’t try to flee,
    For whatsoever God has ordained will come to pass;
    For instance, ye may be killed by a stone or a piece of glass.
    'Let your ideas be second-hand, and if possible tenth-hand, for then they will be far removed from that disturbing element - direct observation'

    E.M. Forster The Machine Stops

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    Clinging to Douvres Rocks Gilliatt Gurgle's Avatar
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    Thanks for posting Lokasenna, great stuff indeed!

    .
    “Never take a picture of a Sasquatch foot print without a scale!”
    Dr. Jeff Meldrum (From 2013 Texas Bigfoot Conference)

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    Maybe YesNo's Avatar
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    I signed up for the "Gem of the Day" getting one of McGonagall's poems daily in my email from http://www.mcgonagall-online.org.uk/ .

    His poetry at least is readable. Some of the ways he gets the lines to rhyme is amusing and odd, but at least he has something to say.

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    Card-carrying Medievalist Lokasenna's Avatar
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    One of my housmates, who is in fact an editor for an online poetry magazine, admitted to me the other day that she thought McGonagall's poetry 'wasn't really that bad'.

    I beg to differ, and here's some evidence. That last stanza just cracks me up...

    The Queen’s Diamond Jubilee Celebrations

    Twas in the year of 1897, and on the 22nd of June,
    Her Majesty’s Diamond Jubilee in London caused a great boom;
    Because high and low came from afar to see,
    The grand celebrations at Her Majesty’s Diamond Jubilee.

    People were there from almost every foreign land,
    Which made the scene really imposing and grand;
    Especially the Queen’s carriage, drawn by eight coloured bays,
    And when the spectators saw it joyous shouts they did raise.

    Oh! it was a most gorgeous sight to be seen,
    Numerous foreign magnates were there for to see the queen;
    And to the vast multitude there of women and men,
    Her Majesty for two hours showed herself to them.

    The head of the procession looked very grand -
    A party of the Horse Guards with their gold-belaced band;
    Which also headed the procession of the Colonial States,
    While slowly they rode on until opposite the Palace gates.

    Then the sound of the National Anthem was heard quite clear,
    And the sound the hearts of the mighty crowd it did cheer;
    As they heard the loyal hymning on the morning air,
    The scene was most beautiful and surpassing fair.

    On the house tops thousands of people were to be seen,
    All in eager expectation of seeing the queen;
    And all of them seemed to be happy and gay,
    Which enhanced the scene during the day.

    And when Field Marshal Roberts in the procession passed by,
    The cheers from thousands of people arose very high;
    And to see him on his war horse was inspiring to see,
    Because he rode his charger most splendidly.

    The Natal mounted troops were loudly cheered, they looked so grand,
    And also the London Irish Emerald Isle Band;
    Oh if was a most magnificent sight to see.
    The Malta Militia and Artillery,
    And the Trinidad Artillery, and also bodies of infantry,
    And, as the crowd gazed thereon, it filled their hearts with glee.

    Her Majesty looked well considering her years,
    And from the vast crowd burst forth joyous cheers;
    And Her Majesty bowed to the shouts of acclamation,
    And smiled upon the crowd with a loving look of admiration.

    His Excellency Chan Yin Hun in his carriage was a great attraction,
    And his Oriental garb seemed to give the people great satisfaction;
    While the two little Battenberg’s carriage, as it drove along,
    Received from the people cheering loud and long.

    And when the Dragoon Guards and the Huasars filed past at the walk,
    Then loudly in their praise the people did talk;
    And the cavalry took forty minutes to trot past,
    While the spectators in silent wonder stood aghast.

    Her Majesty the Empress Frederick a great sensation made,
    She was one of the chief attractions in the whole cavalcade;
    And in her carriage was the Princess Louise, the Marchioness of Lorne,
    In a beautiful white dress, which did per person adorn.

    The scene in Piccadilly caused a great sensation,
    The grand decorations there were the theme of admiration;
    And the people in St. James Street were taken by surprise,
    Because the lovely decorations dazzled their eyes

    The 42nd Highlanders looked very fine,
    When they appeared and took up a position on the line;
    And the magnificent decorations in the Strand,
    As far east as the Griffin wets attractive and grand.

    And the grandstand from Buckingham Palace to Temple Bar,
    Was crowded with eager eyes from afar,
    Looking on the floral decorations and flags unfurled,
    Which has been the grandest spectacle ever seen in the world.

    The corner building of St. James Street side was lovely to view,
    Ornamented with pink and white bunting and a screen of blue;
    And to the eye, the inscription thereon most beautiful seems:
    “Thou art alone the Queen of earthly Queens.”

    The welcome given to Commander-in-Chief Lord Wolseley was very flattering,
    The people cheered him until the streets did ring;
    And the foreign princes were watched with rivetted admiration,
    And caused among the sight-seers great consternation,

    And private householders seemed to vie with each other,
    In the lavishness of their decorations, and considered it no bother;
    And never before in the memory of man,
    Has there been a national celebration so grand.

    And in conclusion, I most earnestly do pray,
    May God protect Her Majesty for many a day;
    My blessing on her noble form and on her lofty head,
    And may she wear a crown of glory hereafter when dead.
    "I should only believe in a God that would know how to dance. And when I saw my devil, I found him serious, thorough, profound, solemn: he was the spirit of gravity- through him all things fall. Not by wrath, but by laughter, do we slay. Come, let us slay the spirit of gravity!" - Nietzsche

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    Maybe YesNo's Avatar
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    That last line about the queen being dead is a strange way to praise her. However, it seems so innocent coming from him that I kind of expect that sort of thing along with his naive way of getting lines to rhyme.

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    Truly bad poems are easy to write, but being endearingly crap seems to require real talent.
    Last edited by Samsa; 07-17-2012 at 09:47 PM.

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