Returning to the
raison d'etre for this thread, I have been doing a lot of listening lately to Shostakovitch. AS a result of the glowing reviews of the Naxos recordings of Shosty's symphonies conducted by Vasily Petrenko:
I've long had mixed feelings about Shostakovitch. I loved certain works... but then found others pandered to much to the composer's Soviet masters. At times he struck me as the dutiful worker, squirreling away with one eye looking over his shoulder... rarely ever as audacious as Stravinsky. But for less than $5 US per disc I thought "what can I lose".
My prejudice against Shostakovitch, for one thing. These performances are marvelous... the 5th and 11th especially. (I didn't pick up Petrenko's 10th because nothing I've read in the reviews has led me to believe he has come close to surpassing or rivaling Herbert von Karajan's classic, fiery recording:
In tandem with the Petrenko recordings, I gave another listen to this disc, and what can I say...? "Lovely".
Actually the right words would probably be something closer to dynamic, explosive, fiery... And one might use the same terms for the 11th.
Beside Shostakovitch, I've been listening a lot to Verdi's
La Traviata. This was the first complete opera I ever watched... on cable television in the classic Zeffirelli film featuring Teresa Stratas and a young Placido Domingo. I listened to it again in the classic Giulini recording...
... featuring that
diva among
divas...
... and Giuseppe di Stefano. I was so blown away I spent the next hour of so scouring YouTube and watching videos of the classic scenes:
Kristine Opolais performance is particularly... "hot":
http://www.youtube.com/watch?v=o9Qtxm8ljsc
While I love Anna Netrebko, I simply hate the minimalist stage sets of her recent performance... her performance, however, is stunning as usual.
http://www.youtube.com/watch?v=S1ELC...eature=related
After watching this, however, I think just what might have been... how this opera could have been staged to capture the glitter and opulence of the final days of the
Fin de siècle. Certainly no production comes near Zeffirelli's classic film... and both Stratas and Domingo are brilliant. Stratas is as magnificent here as she is in her performance of Strauss'
Salome.
http://www.youtube.com/watch?v=NcKdnkGBSgA
http://www.youtube.com/watch?v=Tc-PjPf-uIE
http://www.youtube.com/watch?v=x5QHoksdErk
And this one is just cute:
http://www.youtube.com/watch?v=NDhHxIz83Ic
I ended up watching and listening to this opera so much that for days after I kept singing "Misterioso, Misterioso altero..." from
Un dì, felice, eterea... although it's doubtful that my singing might seduce Violetta.