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Thread: Matthew Arnold

  1. #1
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    Matthew Arnold

    Not until recently did someone introduce to me the greatness of Matthew Arnold. I found a respectable number of his poems here: http://jollyroger.com/classicalpoetr...Matthew+Arnold. I will copy and paste a few of my favorites (and I apologize for the length of some).

    Dover Beach

    The sea is calm to-night.
    The tide is full, the moon lies fair
    Upon the straits; -on the French coast the light
    Gleams and is gone; the cliffs of England stand,
    Glimmering and vast, out in the tranquil bay.
    Come to the window, sweet is the night air!
    Only, from the long line of spray
    Where the sea meets the moon-blanch'd land,
    Listen! you hear the grating roar
    Of pebbles which the waves draw back, and fling,
    At their return, up the high strand,
    Begin, and cease, and then again begin,
    With tremulous cadence slow, and bring
    The eternal note of sadness in.

    Sophocles long ago
    Heard it on the Aegean, and it brought
    Into his mind the turbid ebb and flow
    Of human misery; we
    Find also in the sound a thought,
    Hearing it by this distant northern sea.

    The Sea of Faith
    Was once, too, at the full, and round earth's shore
    Lay like the folds of a bright girdle furl'd.
    But now I only hear
    Its melancholy, long, withdrawing roar,
    Retreating, to the breath
    Of the night-wind, down the vast edges drear
    And naked shingles of the world.

    Ah, love, let us be true
    To one another! for the world, which seems
    To lie before us like a land of dreams,
    So various, so beautiful, so new,
    Hath really neither joy, nor love, nor light,

    Nor certitude, nor peace, nor help for pain;
    And we are here as on a darkling plain
    Swept with confused alarms of struggle and flight,
    Where ignorant armies clash by night.

    ---

    The Buried Life

    Light flows our war of mocking words, and yet,
    Behold, with tears mine eyes are wet!
    I feel a nameless sadness o'er me roll.
    Yes, yes, we know that we can jest,
    We know, we know that we can smile!
    But there's a something in this breast,
    To which thy light words bring no rest,
    And thy gay smiles no anodyne.
    Give me thy hand, and hush awhile,
    And turn those limpid eyes on mine,
    And let me read there, love! thy inmost soul.

    Alas! is even love too weak
    To unlock the heart, and let it speak?
    Are even lovers powerless to reveal
    To one another what indeed they feel?
    I knew the mass of men conceal'd
    Their thoughts, for fear that if reveal'd
    They would by other men be met
    With blank indifference, or with blame reproved;
    I knew they lived and moved
    Trick'd in disguises, alien to the rest
    Of men, and alien to themselves--and yet
    The same heart beats in every human breast!

    But we, my love!--doth a like spell benumb
    Our hearts, our voices?--must we too be dumb?

    Ah! well for us, if even we,
    Even for a moment, can get free
    Our heart, and have our lips unchain'd;
    For that which seals them hath been deep-ordain'd!

    Fate, which foresaw
    How frivolous a baby man would be--
    By what distractions he would be possess'd,
    How he would pour himself in every strife,
    And well-nigh change his own identity--
    That it might keep from his capricious play
    His genuine self, and force him to obey
    Even in his own despite his being's law,
    Bade through the deep recesses of our breast
    The unregarded river of our life
    Pursue with indiscernible flow its way;
    And that we should not see
    The buried stream, and seem to be
    Eddying at large in blind uncertainty,
    Though driving on with it eternally.

    But often, in the world's most crowded streets,
    But often, in the din of strife,
    There rises an unspeakable desire
    After the knowledge of our buried life;
    A thirst to spend our fire and restless force
    In tracking out our true, original course;
    A longing to inquire
    Into the mystery of this heart which beats
    So wild, so deep in us--to know
    Whence our lives come and where they go.
    And many a man in his own breast then delves,
    But deep enough, alas! none ever mines.
    And we have been on many thousand lines,
    And we have shown, on each, spirit and power;
    But hardly have we, for one little hour,
    Been on our own line, have we been ourselves--
    Hardly had skill to utter one of all
    The nameless feelings that course through our breast,
    But they course on for ever unexpress'd.
    And long we try in vain to speak and act
    Our hidden self, and what we say and do
    Is eloquent, is well--but 'tis not true!
    And then we will no more be rack'd
    With inward striving, and demand
    Of all the thousand nothings of the hour
    Their stupefying power;
    Ah yes, and they benumb us at our call!
    Yet still, from time to time, vague and forlorn,
    From the soul's subterranean depth upborne
    As from an infinitely distant land,
    Come airs, and floating echoes, and convey
    A melancholy into all our day.
    Only--but this is rare--
    When a beloved hand is laid in ours,
    When, jaded with the rush and glare
    Of the interminable hours,
    Our eyes can in another's eyes read clear,
    When our world-deafen'd ear
    Is by the tones of a loved voice caress'd--
    A bolt is shot back somewhere in our breast,
    And a lost pulse of feeling stirs again.
    The eye sinks inward, and the heart lies plain,
    And what we mean, we say, and what we would, we know.
    A man becomes aware of his life's flow,
    And hears its winding murmur; and he sees
    The meadows where it glides, the sun, the breeze.

    And there arrives a lull in the hot race
    Wherein he doth for ever chase
    That flying and elusive shadow, rest.
    An air of coolness plays upon his face,
    And an unwonted calm pervades his breast.
    And then he thinks he knows
    The hills where his life rose,
    And the sea where it goes.

    ---

    Isolation: To Marguerite

    We were apart; yet, day by day,
    I bade my heart more constant be.
    I bade it keep the world away,
    And grow a home for only thee;
    Nor fear'd but thy love likewise grew,
    Like mine, each day, more tried, more true.

    The fault was grave! I might have known,
    What far too soon, alas! I learn'd--
    The heart can bind itself alone,
    And faith may oft be unreturn'd.
    Self-sway'd our feelings ebb and swell--
    Thou lov'st no more;--Farewell! Farewell!

    Farewell!--and thou, thou lonely heart,
    Which never yet without remorse
    Even for a moment didst depart
    From thy remote and sphered course
    To haunt the place where passions reign--
    Back to thy solitude again!

    Back! with the conscious thrill of shame
    Which Luna felt, that summer-night,
    Flash through her pure immortal frame,
    When she forsook the starry height
    To hang over Endymion's sleep
    Upon the pine-grown Latmian steep.

    Yet she, chaste queen, had never proved
    How vain a thing is mortal love,
    Wandering in Heaven, far removed.
    But thou hast long had place to prove
    This truth--to prove, and make thine own:
    "Thou hast been, shalt be, art, alone."

    Or, if not quite alone, yet they
    Which touch thee are unmating things--
    Ocean and clouds and night and day;
    Lorn autumns and triumphant springs;
    And life, and others' joy and pain,
    And love, if love, of happier men.

    Of happier men--for they, at least,
    Have dream'd two human hearts might blend
    In one, and were through faith released
    From isolation without end
    Prolong'd; nor knew, although not less
    Alone than thou, their loneliness.

  2. #2
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    Very good ones mono! I hadn't read M. Arnold since university. Thanks for bringing it up! My favorites are:

    The Last Word

    Creep into thy narrow bed,
    Creep, and let no more be said!
    Vain thy onset! all stands fast.
    Thou thyself must break at last.

    Let the long contention cease!
    Geese are swans, and swans are geese.
    Let them have it how they will!
    Thou art tired: best be still.

    They out-talked thee, hissed thee, tore thee?
    Better men fared thus before thee;
    Fired their ringing shot and passed,
    Hotly charged - and sank at last.

    Charge once more, then, and be dumb!
    Let the victors, when they come,
    When the forts of folly fall,
    Find thy body by the wall!


    Immortality

    Foil'd by our fellow-men, depress'd, outworn,
    We leave the brutal world to take its way,
    And, Patience! in another life, we say
    The world shall be thrust down, and we up-borne.

    And will not, then, the immortal armies scorn
    The world's poor, routed leavings? or will they,
    Who fail'd under the heat of this life's day,
    Support the fervours of the heavenly morn?

    No, no! the energy of life may be
    Kept on after the grave, but not begun;
    And he who flagg'd not in the earthly strife,

    From strength to strength advancing--only he,
    His soul well-knit, and all his battles won,
    Mounts, and that hardly, to eternal life.
    ~
    "It is not that I am mad; it is only that my head is different from yours.”
    ~


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    Youth and Calm

    'Tis death! and peace, indeed, is here,
    And ease from shame, and rest from fear.
    There's nothing can dismarble now
    The smoothness of that limpid brow.
    But is a calm like this, in truth,
    The crowning end of life and youth,
    And when this boon rewards the dead,
    Are all debts paid, has all been said?
    And is the heart of youth so light,
    Its step so firm, its eye so bright,
    Because on its hot brow there blows
    A wind of promise and repose
    From the far grave, to which it goes;
    Because it hath the hope to come,
    One day, to harbour in the tomb?
    Ah no, the bliss youth dreams is one
    For daylight, for the cheerful sun,
    For feeling nerves and living breath--
    Youth dreams a bliss on this side death.
    It dreams a rest, if not more deep,
    More grateful than this marble sleep;
    It hears a voice within it tell:
    Calm's not life's crown, though calm is well.
    'Tis all perhaps which man acquires,
    But 'tis not what our youth desires.

  4. #4
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    Another beautiful poem I just read - very reminiscent of Greek-Roman mythology.

    Bacchanalia or The New Age

    I

    The evening comes, the fields are still.
    The tinkle of the thirsty rill,
    Unheard all day, ascends again;
    Deserted is the half-mown plain,
    Silent the swaths! the ringing wain,
    The mower's cry, the dog's alarms,
    All housed within the sleeping farms!
    The business of the day is done,
    The last-left haymaker is gone.
    And from the thyme upon the height,
    And from the elder-blossom white
    And pale dog-roses in the hedge,
    And from the mint-plant in the sedge,
    In puffs of balm the night-air blows
    The perfume which the day forgoes.
    And on the pure horizon far,
    See, pulsing with the first-born star,
    The liquid sky above the hill!
    The evening comes, the fields are still.

    Loitering and leaping,
    With saunter, with bounds--
    Flickering and circling
    In files and in rounds--
    Gaily their pine-staff green
    Tossing in air,
    Loose o'er their shoulders white
    Showering their hair--
    See! the wild Maenads
    Break from the wood,
    Youth and Bacchus
    Maddening their blood.

    See! through the quiet land
    Rioting they pass--
    Fling the fresh heaps about,
    Trample the grass.
    Tear from the rifled hedge
    Garlands, their prize;
    Fill with their sports the field,
    Fill with their cries.

    Shepherd, what ails thee, then?
    Shepherd, why mute?
    Forth with thy joyous song!
    Forth with thy flute!
    Tempts not the revel blithe?
    Lure not their cries?
    Glow not their shoulders smooth?
    Melt not their eyes?
    Is not, on cheeks like those,
    Lovely the flush?
    --Ah, so the quiet was!
    So was the hush!

    II

    The epoch ends, the world is still.
    The age has talk'd and work'd its fill--
    The famous orators have shone,
    The famous poets sung and gone,
    The famous men of war have fought,
    The famous speculators thought,
    The famous players, sculptors, wrought,
    The famous painters fill'd their wall,
    The famous critics judged it all.
    The combatants are parted now--
    Uphung the spear, unbent the bow,
    The puissant crown'd, the weak laid low.
    And in the after-silence sweet,
    Now strifes are hush'd, our ears doth meet,
    Ascending pure, the bell-like fame
    Of this or that down-trodden name,
    Delicate spirits, push'd away
    In the hot press of the noon-day.
    And o'er the plain, where the dead age
    Did its now silent warfare wage--
    O'er that wide plain, now wrapt in gloom,
    Where many a splendour finds its tomb,
    Many spent fames and fallen mights--
    The one or two immortal lights
    Rise slowly up into the sky
    To shine there everlastingly,
    Like stars over the bounding hill.
    The epoch ends, the world is still.

    Thundering and bursting
    In torrents, in waves--
    Carolling and shouting
    Over tombs, amid graves--
    See! on the cumber'd plain
    Clearing a stage,
    Scattering the past about,
    Comes the new age.
    Bards make new poems,
    Thinkers new schools,
    Statesmen new systems,
    Critics new rules.
    All things begin again;
    Life is their prize;
    Earth with their deeds they fill,
    Fill with their cries.

    Poet, what ails thee, then?
    Say, why so mute?
    Forth with thy praising voice!
    Forth with thy flute!
    Loiterer! why sittest thou
    Sunk in thy dream?
    Tempts not the bright new age?
    Shines not its stream?
    Look, ah, what genius,
    Art, science, wit!
    Soldiers like Caesar,
    Statesmen like Pitt!
    Sculptors like Phidias,
    Raphaels in shoals,
    Poets like Shakespeare--
    Beautiful souls!
    See, on their glowing cheeks
    Heavenly the flush!
    --Ah, so the silence was!
    So was the hush!

    The world but feels the present's spell,
    The poet feels the past as well;
    Whatever men have done, might do,
    Whatever thought, might think it too.

  5. #5
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    My favourite is Requieste-"Strew on her roses,roses,roses
    And never a spray of yew."
    By the way,do you know in which poem is "And she wept anew."
    Awaiting you.

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