BY THE ROAD TO THE CONTAGIOUS HOSPITAL
[1923]
By the road to the contagious hospital
under the surge of the blue
mottled clouds driven from the
northeast -- a cold wind. Beyond, the
waste of broad, muddy fields
brown with dried weeds, standing and fallen
patches of standing water
the scattering of tall trees
....
PAIN -- HAS AN ELEMENT OF BLANK (650)
Pain -- has an Element of Blank --
It cannot recollect
When it begun -- or if there were
A time when it was not --
It has no Future -- but itself --
Its Infinite contain
Its past -- enlightened to perceive
New Periods -- of Pain
(1862)
ECLOGUE.
I6I3, DECEMBER 26.
ALLOPHANES FINDING IDIOS IN THE COUNTRY IN
CHRISTMAS TIME, REPREHENDS HIS ABSENCE
FROM COURT, AT THE MARRIAGE OF THE EARL
OF SOMERSET ; IDIOS GIVES AN ACCOUNT OF
HIS PURPOSE THEREIN, AND OF HIS ACTIONS
THERE.
ALLOPHANES.
UNSEASONABLE man, statue of ice,
What could to countries solitude entice
Thee, in this year's cold and decrepit time ?
Nature's instinct draws to the warmer clime
Even smaller birds, who by that courage dare
In numerous fleets sail through their sea, the air.
What delicacy can in fields appear,
Whilst Flora herself doth a frieze jerkin wear ?
Whilst winds do all the trees and hedges strip
Of leaves, to furnish rods enough to whip
Thy madness from thee, and all springs by frost
Have taken cold, and their sweet murmurs lost?
If thou thy faults or fortunes wouldst lament
With just solemnity, do it in Lent.
At court the spring already advanced is,
The sun stays longer up ; and yet not his
The glory is ; far other, other fires.
First, zeal to prince and state, then love's desires
Burn in one breast, and like heaven's two great lights,
The first doth govern days, the other, nights.
And then that early light which did appear
Before the sun and moon created were,
The princes favour is diffused o'er all,
From which all fortunes, names, and natures fall.
Then from those wombs of stars, the bride's bright eyes,
...............
THE WILL
BEFORE I sigh my last gasp, let me breathe,
Great Love, some legacies ; I here bequeath
Mine eyes to Argus, if mine eyes can see ;
If they be blind, then, Love, I give them thee ;
My tongue to Fame ; to ambassadors mine ears ;
To women, or the sea, my tears ;
Thou, Love, hast taught me heretofore
By making me serve her who had twenty more,
That I should give to none, but such as had too much before.
My constancy I to the planets give ;
My truth to them who at the court do live ;
My ingenuity and openness,
To Jesuits ; to buffoons my pensiveness ;
My silence to any, who abroad hath been ;
My money to a Capuchin :
Thou, Love, taught'st me, by appointing me
To love there, where no love received can be,
Only to give to such as have an incapacity.
My faith I give to Roman Catholics ;
All my good works unto the Schismatics
Of Amsterdam ; my best civility
And courtship to an University ;
My modesty I give to soldiers bare ;
My patience let gamesters share :
Thou, Love, taught'st me, by making me
Love her that holds my love disparity,
Only to give to those that count my gifts indignity.
I give my reputation to those
Which were my friends ; mine industry to foes ;
To schoolmen I bequeath my doubtfulness ;
My sickness to physicians, or excess ;
To nature all that I in rhyme have writ ;
And to my company my wit :
Thou, Love, by making me adore
Her, who begot this love in me before,
Taught'st me to make, as though I gave, when I do but restore.
To him for whom the passing-bell next tolls,
I give my physic books ; my written rolls
Of moral counsels I to Bedlam give ;
My brazen medals unto them which live
In want of bread ; to them which pass among
All foreigners, mine English tongue :
Though, Love, by making me love one
Who thinks her friendship a fit portion
For younger lovers, dost my gifts thus disproportion.
Therefore I'll give no more, but I'll undo
The world by dying, because love dies too.
Then all your beauties will be no more worth
Than gold in mines, where none doth draw it forth ;
And all your graces no more use shall have,
Than a sun-dial in a grave :
Thou, Love, taught'st me by making me
Love her who doth neglect both me and thee,
To invent, and practise this one way, to annihilate all three.
ANDROMEDA Now Time's Andromeda on this rock rude,
With not her either beauty's equal or
Her injury's, looks off by both horns of shore,
Her flower, her piece of being, doomed dragon's food.
Time past she has been attempted and pursued
By many blows and banes; but now hears roar
A wilder beast from West than all were, more
Rife in her wrongs, more lawless, and more lewd.
Her Perseus linger and leave her tó her extremes?—
Pillowy air he treads a time and hangs
His thoughts on her, forsaken that she seems,
All while her patience, morselled into pangs,
Mounts; then to alight disarming, no one dreams,
With Gorgon's gear and barebill, thongs and fangs.
MARBURG
I quivered. I flared up, and then was extinguished.
I shook. I had made a proposal - but late,
Too late. I was scared, and she had refused me.
I pity her tears, am more blessed than a saint.
I stepped into the square. I could be counted
Among the twice-born. Every leaf on the lime,
Every brick was alive, caring nothing for me,
And reared up to take leave for the last time.
The paving-stones glowed and the street's brow was
swarthy,
From under their lids the cobbles looked grim,
Scowled up at the sky, and the wind like a boatman
Was rowing through limes. And each was an emblem.
Be that as it may, I avoided their glances,
Averted my gaze from their greeting or scowling.
I wanted no news of their getting and spending.
I had to get out, so as not to start howling.
The tiles were afloat, and an unblinking noon
Regarded the rooftops. And someone, somewhere
In Marburg, was whistling, at work on a crossbow,
And someone else dressing for the Trinity fair.
Devouring the clouds, the sand showed yellow,
A storm wind was rocking the bushes to and fro,
And the sky had congealed where it touched a sprig
Ofwoundwort that staunched its flow.
Like any rep Romeo hugging his tragedy,
I reeled through the city rehearsing you.
I carried you all that day, knew you by heart
From the comb in your hair to the foot in your shoe.
And when in your room I fell to my knees,
Embracing this mist, this perfection of frost
(How lovely you are!), this smothering turbulence,
What were you thinking? 'Be sensible!' Lost!
Here lived Martin Luther. The Brothers Grimm, there.
And all things remember and reach out to them:
The sharp-taloned roofs. The gravestones. The trees.
And each is alive. And each is an emblem.
{excerpt}
1916, 1928
Translated by Jon Stallworthy and Peter France
http://www.nytimes.com/2008/12/14/bo..._r=1&ref=books --- ‘My Poetry Is Filthy — but Not I’
By STEVE COATES
Published: December 12, 2008
You have to admire a scholar who can produce a small library of erudite, elegant and accessible books on American history, the New Testament and his own powerful brand of Roman Catholicism, winning a Pulitzer Prize along the way. And you have to be impressed by a plucky Spanish provincial, in the dangerous days of Nero and Domitian, who could manage to earn a handsome living writing dirty poems for the urban sophisticates of ancient Rome. But can you condone what they get up to under a single set of covers? “Martial’s Epigrams,” Garry Wills’s enthusiastic verse translations of Marcus Valerius Martialis, Rome’s most anatomically explicit poet, offers a chance to find out.
{review of MARTIAL'S EPIGRAMS, A Selection by Garry Wills}
http://www.nytimes.com/2008/12/14/bo...tml?ref=review --- A Modern Victorian
{a review of Gerard Manley Hopkins: A Life....by Paul Mariani}
By BLAKE BAILEY
Published: December 12, 2008
In 1868, at the age of 23, Gerard Manley Hopkins decided to burn the poetry he’d written up to that time: “Slaughter
of the Innocents,” he noted in his journal. Recognizing that poetry depended on deep and perhaps dangerous feeling —
and given what he would later concede was a disturbing affinity with Walt Whitman (“a very great scoundrel”) —
Hopkins decided it was incompatible with his calling to the Jesuit priesthood. ...
AUTUMN
by: Kalidasa (c. 500)
HE autumn comes, a maiden fair
In slenderness and grace,
With nodding rice-stems in her hair
And lilies in her face.
In flowers of grasses she is clad;
And as she moves along,
Birds greet her with their cooing glad
Like bracelets' tinkling song.
A diadem adorns the night
Of multitudinous stars;
Her silken robe is white moonlight,
Set free from cloudy bars;
And on her face (the radiant moon)
Bewitching smiles are shown:
She seems a slender maid, who soon
Will be a woman grown.
Over the rice-fields, laden plants
Are shivering to the breeze;
While in his brisk caresses dance
The blossomed-burdened trees;
He ruffles every lily-pond
Where blossoms kiss and part,
And stirs with lover's fancies fond
The young man's eager heart.
This English translation of "Autumn" was composed by Arthur W. Ryder (1877-1938).
Sonnet #115
CXV.
Those lines that I before have writ do lie,
Even those that said I could not love you dearer:
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer.
But reckoning time, whose million'd accidents
Creep in 'twixt vows and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of altering things;
Alas, why, fearing of time's tyranny,
Might I not then say 'Now I love you best,'
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
Love is a babe; then might I not say so,
To give full growth to that which still doth grow?
THE PASSING OF THE YEAR
My glass is filled, my pipe is lit,
My den is all a cosy glow;
And snug before the fire I sit,
And wait to feel the old year go.
I dedicate to solemn thought
Amid my too-unthinking days,
This sober moment, sadly fraught
With much of blame, with little praise.
Old Year! upon the Stage of Time
You stand to bow your last adieu;
A moment, and the prompter's chime
Will ring the curtain down on you.
Your mien is sad, your step is slow;
You falter as a Sage in pain;
Yet turn, Old Year, before you go,
And face your audience again.
That sphinx-like face, remote, austere,
Let us all read, whate'er the cost:
O Maiden! why that bitter tear?
Is it for dear one you have lost?
Is it for fond illusion gone?
For trusted lover proved untrue?
O sweet girl-face, so sad, so wan
What hath the Old Year meant to you?
And you, O neighbour on my right
So sleek, so prosperously clad!
What see you in that aged wight
That makes your smile so gay and glad?
What opportunity unmissed?
What golden gain, what pride of place?
What splendid hope? O Optimist!
What read you in that withered face? ...
Pasted from <http://www.poets.org/viewmedia.php/prmMID/19334>
TO love thee, year by year
BY
Emily Dickinson
TO love thee, year by year,
May less appear
Than sacrifice and cease.
However, Dear,
Forever might be short
I thought, to show,
And so I pieced it with a flower now.
The courage of the poet is to keep ajar the door that leads to madness. - Christopher Morley
--------------------------------------------------------------------------------
VENICE
A click of window glass had roused me
Out of my sleep at early dawn.
Beneath me Venice swam in water;
A sodden pretzel made of stone.
I was all quiet now; however,
While still asleep, I heard a cry -
And like a sign that had been silenced
It still disturbed the morning sky.
It hung - a trident of the Scorpion -
Above the sleeping mandolins
And had been uttered by an angry
Insulted woman's voice, maybe.
Now it was silent. To the handle
Its fork was stuck in morning haze.
The Grand Canal, obliquely grinning
Kept looking back - a runaway.
. . . . . . . . . . . . . . . . . .
Reality was born of dream-shreds
Far off, among the hired boats.
Like a Venetian woman, Venice
Dived from the bank to glide afloat.
1914
Translated by Lydia Pasternak Slater
A VALEDICTION FORBIDDING MOURNING.
AS virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
"Now his breath goes," and some say, "No."
So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move ;
'Twere profanation of our joys
To tell the laity our love.
Moving of th' earth brings harms and fears ;
Men reckon what it did, and meant ;
But trepidation of the spheres,
Though greater far, is innocent.
Dull sublunary lovers' love
—Whose soul is sense—cannot admit
Of absence, 'cause it doth remove
The thing which elemented it.
But we by a love so much refined,
That ourselves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips and hands to miss.
Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.
If they be two, they are two so
As stiff twin compasses are two ;
Thy soul, the fix'd foot, makes no show
To move, but doth, if th' other do.
And though it in the centre sit,
Yet, when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.
Such wilt thou be to me, who must,
Like th' other foot, obliquely run ;
Thy firmness makes my circle just,
And makes me end where I begun.
SONGS OF INNOCENCE-NIGHT
The sun descending in the west,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon like a flower,
In heaven's high bower,
With silent delight
Sits and smiles on the night.
Farewell, green fields and happy groves,
Where flocks have took delight;
Where lambs have nibbled, silent moves
The feet of angels bright;
Unseen they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.
They look in every thoughtless nest,
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm:
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.
When wolves and tigers howl for prey,
They pitying stand and weep, -
Seeking to drive their thirst away,
And keep them from the sheep.
But if they rush dreadful,
The angels, most heedful,
Receive each mild spirit,
New worlds to inherit.
And there the lion's ruddy eyes
Shall flow with tears of gold,
And pitying the tender cries,
And walking round the fold,
Saying, "Wrath, by his meekness,
And, by his health, sickness
Is driven away
Form our immortal day.
"And now beside thee, bleating lamb,
I can lie down and sleep;
Or think on him who bore thy name,
Graze after thee and weep.
For, washed in life's river,
My bright mane for ever
Shall shine like the gold,
As I guard o'er the fold."
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