Originally Posted by
stlukesguild
This is indeed interesting. The Fall of the rebel Angels and The Fall of Satan were popular themes in the visual arts well before Milton. Like the Christian concept of hell and Purgatory they seem to have been concepts that developed over the ages based upon the most slight of sources. The most cited one is the translation of Isaiah 14:
14:4 You will recite this parable about the king of Babylonia: How has the oppressor come to an end, the arrogance been ended?
14:10 They will all proclaim and say to you, "You also have been stricken as we were; you are compared to us.
14:11 Brought down to the nether-world were your pride and the tumult of your stringed instruments; maggots are spread out under you, and worms are your covers.
14:12 How have you fallen from the heavens, O glowing morning star; been cut down to the ground O conqueror of nations?
The original Hebrew is taken to refer to the fall of the Babylonian kings due to their pride and Heylel or the "morning star" alludes to Venus. The entry in Wikipedia notes that "Jerome with the Greek Septuagint close at hand and familiarity with the pagan poetic traditions, translated Heylel as Lucifer in the Vulgate. This may also have been done as a pointed jab at a bishop named Lucifer, a contemporary of Jerome who argued to forgive those condemned of the Arian heresy." There is also another source to be found in the Qu'ran which narrates the Fall of Satan/Lucifer due to pride in refusing to bow to God's latest creation, Adam. Dante may have built upon both sources as well as traditional folk narrative and Church doctrine. Milton was almost certainly aware of the same.