Walks up close to painting, arches eyebrows ever so slightly and then steps back with a slow nod
Ah yes, well its always nice to see a retroist display at a show like this, and of course no one could possibly discount the centrality of Duchamp's work to the evolution of the modern aesthetic or the post-freudian muscle of this piece's underlying sexual signification, but really, haven't we all done Dada?
High affected laugh accompanied by slight equally affected toss of the head. Sips champagne.
I mean, I suppose contemplating the complex ontology, even the ontogeny of the human in this piece has intriguing parallels with the ontology of the avant garde and the modern and post-modern world views, but don't you sometimes lie awake nights and wonder if the avant garde has really become the arriere garde?
Another high affected laugh expertly accompanied by a practiced sneer. Takes bite of brie and cracker, which unfortunately results in the spilling of cracker crumbs. A nearby patron of the arts goes up to the crumbs, cranes down to look at them intensely and then gives a slow nod before turning to his spouse and declaring "that piece really has depth"
I mean, really, I feel like the statment of this piece has been stated so many times, that really, if we keep regressing back to this point the art world is doomed. I mean what's the point?
Dramatic pause to allow these startling observations to sink in and to take another bite of brie.
I mean, really, looking around this exhibit, so many of the new artists seem to still be mired in this Duchamp moment without any kind of real progression. Now this piece over here by Clyde Von Ubermod on the other hand, that's something fresh, that's a real statement and....
The scary thing is you can finish two or three glasses of wine before someone like this pauses for breath.