I was back for a time but then disappeared again. Don't worry, I never stray too far.
I get nervous, when I think it might drift into oblivion and never been seen again. At least being on that first page, makes me feel more secure. Besides I am always hopeful of some newcomers, aren't you, Quark?It's always about the glamor of that first page with you.
Oh heck, I forgot to go over that part to see if it revealed anything new. I wish Chekhov would provide more information on things like this. Not being Russian, I did not know that would be the case; I just assumed he was gone, dead.I don't remember much being said about the father. He paid for his son's education, went into debt, and then he recedes into the background. Either Alekhin doesn't think he's important to the story, or maybe they just were not very close.
That is funny; I got the impression years and years had passed....we think so opposite. Maybe it is youth talking; my being older I see a span of years.Something I am curious about, though, is the amount of time that elapses in the story. I get the impression that it's about a year from when he meets Anna to the end of his story. If you look back over the story, tell me whether that's right.
Ok, I will buy that. I didn't really see a mystery here though. I felt it was more a thwarted love story than a mystery. I mean, I do get the idea of love being a mystery and unsolvable but I see that more pyschological or philosophical than a mystery being investigated. That is interesting that you think of it so scientifically. I guess I don't have a scientific mind like you. I am more of a romantic.Maybe we are getting a little carried away with the questions, but I think it is important to acknowledge the ambiguities in "About Love". After all, Alekhin sets up his story as the investigation of a "mystery."
Good points here to bring up. It did seem that they concentrated more on observing the landscape and nature, the estate/farm. I think they are in awe and don't really know what to make of his story. Afterall, being friends with Alekhin for sometime now, they never knew this part of his life; he only now reveals it to them. They probably feel a little stunned. Well, in placing the empahasis on A's professional life, aren't they seeing it typically, as males would, during that time period. Women might look on his story more romantically. I don't mean to be narrow-minded here, but to me a man would not pay so much regard to such a 'unfurfilled love' as Alekhin has expressed in his narrative. A woman might be more sympathetic than a man, in hearing this story.Anyway, here's the conclusion of the story:
Alekhin finishes his story, and Chekhov briefly describes the reaction of the listeners. Interestingly, Burkin and Ivan first admire Alekhin's estate before they even consider the story. Perhaps their admiration for the farm is a just a disguise for their admiration of Alekhin's virtue and self-sacrifice. Soon, though, their respect changes to pity for this man who's wasted his talents. They admit that Anna must have appeared very attractive, but they don't seem to care about Alekhin's love for her. Like the other two stories in this trilogy, the listeners of the story don't agree with the teller of the story. They place the emphasis on Alekhin's professional life, whereas Alekhin stressed the importance of his private life.