Originally Posted by
Hawkman
There's just something odd about this poem, the title for starters. It almost reads as though you started writing a poem about one thing and then it turned into something else about half way through. I just can't make the connection with metal through the verses, except in the fleeting mention of scrap.
"I gaze at the date on her bare neck," is a bit strange - is it tattooed there or stamped in ink? If you'd written, "I gaze at my date, at her bare neck" it would make more sense in context. S2 is rather good, but S3 is thrown off the rails a bit by the last two lines.
"watching our bodies
empty on the ground."
The way this is worded it sounds as though you are standing back to appreciate the effects of a powerful emetic. If you had said "leaving" instead of "watching", empty would function as an adjective rather than a verb.
There's an ambiguity in the poem overall. It can be read as a narrative about a suicide pact or a casual encounter; at least, these were the two wich sprang most readily to my mind. The, "except we aren't" functions well as a volta but it's a bit abrupt and telling, whilst saying nothing at the same time. Why aren't the narrator and his companion, "a perfect landscape?"
I think my favourite line is, "her long dark hair mingles with the night", but you've too many definite articles in this line:
"her sapphire eyes shine
like the ocean
under the moon light"
where
"her sapphire eyes shine
like ocean
under moonlight"
might be better. You might also consider dumping the own in "my own self" which just isn't necessary.
There are definitely some interesting things going on in the poem, but I'm inclined to think it could do with a little polishing in places.
Live and be well - H