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Virgil

Summer Reading, 2012

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I’ve got an ambitious summer reading planned and thought I’d share. For some reason hearing what others are reading gives me some sort of pleasure. It satisfies an impulse of curiosity. I’m not a prying person, nor a nosy person, but when sitting by someone who is reading, say on an airplane, I can’t help to try and peek over and spy on the title of the book. Does that make me a peeping Tom? .

So for anyone who’s curious about my summer reading plans, here’s a blog on a completely trivial subject.

My summer reading will follow on my year long theme of mid 19th century American literature, especially the polarized opposition of the Transcendentalists and anti-Transcendentalist.

On the transcendentalist side, I’ve been reading Walt Whitman’s, Leaves of Grass: Death-Bed Edition. I've That’s his entire opus that he revised the year prior to his passing and was published almost with his death. I've read two thirds so far since January and I'm looking to finish it. It’s truly an opus, amounting to about 530 pages of poetry. Luckily Whitman’s poetry is not that complex, smooth reading, and a lot of fun, and I’ve really grown fond of his voice. Ernest Hemingway famously said that “all modern American literature comes from one book by Mark Twain called Huckleberry Finn.” Twain surely was important but Hemingway was wrong. The American voice, the American language, the root of our literature comes from Walt Whitman’s Leaves of Grass. It is so distinctly American in its themes and style and voice. Leaves of Grass is not as great as say Dante’s The Divine Comedy, but it codifies the American language as Dante codified the Italian. Here’s a sampling from what I just read today, “Passage to India”. Let me preface it; the passage is a metaphorical passage of his soul, and ultimately it’s a passage beyond the physical to the metaphysical. Here’s a key part from stanza 8 (which was in stanza 11 in a previous version):

O soul thou pleasest me, I thee,
Sailing these seas or on the hills, or waking in the night,
Thoughts, silent thoughts, of Time and Space and Death, like waters flowing,
Bear me indeed as through the regions infinite,
Whose air I breathe, whose ripples hear, lave me all over,
Bathe me O God in thee, mounting to thee,
I and my soul to range in range of thee.

O Thou transcendent,
Nameless, the fibre and the breath,
Light of the light, shedding forth universes, thou centre of them,
Thou mightier centre of the true, the good, the loving,
Thou moral, spiritual fountain--affection's source--thou reservoir,
(O pensive soul of me--O thirst unsatisfied--waitest not there?
Waitest not haply for us somewhere there the Comrade perfect?)
Thou pulse--thou motive of the stars, suns, systems,
That, circling, move in order, safe, harmonious,
Athwart the shapeless vastnesses of space,
How should I think, how breathe a single breath, how speak, if, out
of myself,
I could not launch, to those, superior universes?

Swiftly I shrivel at the thought of God,
At Nature and its wonders, Time and Space and Death,
But that I, turning, call to thee O soul, thou actual Me,
And lo, thou gently masterest the orbs,
Thou matest Time, smilest content at Death,
And fillest, swellest full the vastnesses of Space.
The bulk of the summer will be spent with Herman Melville, the thematic opposite of Whitman, though his voice as deeply American as Whitman’s. I’ll be reading, Why Read Moby-Dick by Nathaniel Philbrick, a non-scholarly appreciation of the greatest of American novels, Herman Melville by Elizabeth Hardwick, a short Penguin Lives biography, and of course, Moby Dick by Herman Melville. This I think will be my fourth reading of the novel. Why read it again? Because there are some touchstones of literature that need constitutional drilling so that it fits you as a glove. Here’s a passage from that glorious chapter one:

There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs- commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.

Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?- Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster- tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?

But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling And there they stand- miles of them- leagues. Inlanders all, they come from lanes and alleys, streets avenues- north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?

Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries- stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Ha! I just picked the Whitman and Melville passages at random, but already you can see the opposition. That “metaphysical professor” is a jab at Ralph Waldo Emerson, the father of Transcendentalism. Notice how Whitman leads the reader beyond the physical sea to a metaphysical place while all the Melville’s perambulations come to a stop, “the limit of the land,” which foreshadows the final stop of the ship, The Pequad, against the brute head of the white whale. There is no transcendence for Melville.

Interspersed between all that I’m going to read the memoir of a real US Supreme Court Justice, someone who understands how the Constitution is there to preserve freedom, not make the individual the bondservant of the government; I’m reading My Grandfather's Son: A Memoir by Clarence Thomas. I’ve already read the first two chapters and it should be required reading by every American. What a grandfather; what a way to raise a child.

If I still have time, I’ll try to squeeze in another reading of Hamlet, since I’ve got to test a theory I came across last year on the play. And typically, I’ll squeeze in short stories as I get in the mood for a change of pace. All the books I mentioned you can find on Amazon.

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  1. TheFifthElement's Avatar
    Sounds like an excellent if ambitious summer reading list Virgil. Will you be posting your thoughts on LoG when you've finished? I also have a copy of the deathbed edition, but haven't had the heart yet to start it!

    Like you, I'm quite nosey about what other people are reading. And I do like to have that little nosey peek at what other people are reading on the train. Sadly all my (flesh & blood, rather than internet) friends seem to be reading 50 Shades at the moment I despair.
  2. Helga's Avatar
    I am always curious to see what people on the bus are reading, or at a cafe. Kindle is kinda ruining this curiosity though

    I like your list and I am more interested in Whitman now, I got a collection of his work a few years ago but never really wanted to read it... maybe I will now.
  3. Virgil's Avatar
    @Fifth - I hadn't planned on it, but now that you mention it I should post my thoughts on LoG. I haven't taken notes, but I have marked up parts that I've liked. I should be able to write up something.

    Just to let you both know, while the death-Bed edition was Whitman's final version of his poems, the revisions are not necessarily for the better. In many cases his first version was better. I chose the Death-Bed because it had them all and I was after volume of poems so I could listen to his voice for an extended period of time.
  4. LadyLuck's Avatar
    Your reading is much more ambitious than mine. I just finished a pop fiction novel called "Plague Town". I enjoyed it, but it's not Melville
  5. AuntShecky's Avatar
    My only surprise is that you are still encountering people who are actually reading!

    It seems that lately most passers-by and fellow bus travellers seem to be working on a stiff next texting away on some kind of hand-held device.

    Or else you're in a restaurant or a coffee shop and the eyes of the other customers are glued to a laptop, very likely logged on to youtube.

    So if guess today's equivalent to "What are you reading?" is "What are you watching?"
  6. The Comedian's Avatar
    Sounds like a great list Virgil -- I browsed that "Why Read Moby-Dick" book in the book store the other day. I'd like to know what you think of it, if you get time.

    Enjoy your summer!
  7. Virgil's Avatar
    @Comedian
    I'll let you know. I've read about a third and while it's not gibberish, it's not that deep either. But perhaps it will get better.

    Thanks all.
  8. Virgil's Avatar
    @Comedian
    Hope you come back to see this. I'm now more than three quarters through Why Read Moby-Dick and I don't recommend it. It makes you want to read the novel, but it's fairly superficial as literary analysis goes. He never talks about the big themes, and he's fixated on slavery and the Civil War that would start ten years after the novel was published.
  9. The Comedian's Avatar
    Virgil -- thanks for the report. I was a little afraid of that. I was hoping that the book would address the general worth of reading literature, connect that idea to the issues that those of us living today face, then use Moby-Dick as an extended example of both that novel and literature's great worth.

    But if it's mostly slavery and Civil War. . . .
  10. Virgil's Avatar
    The author, Nathaniel Philbrick, is a historian, not a literary critic. I guess he's reading the work through that prism.