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AuntShecky
10-30-2007, 10:53 AM
Daylight Savings Time will mercifully end this weekend in the Northeast U.S. Originally created to benefit an agrarian society, DST in the 21st century is confusing, contrived, and totally unnecessary. This year it has been extended for an extra week, ostensibly to "conserve energy," but we still have to turn on the lights --albeit in the morning instead of the early afternoon.
I oft wondered what happens to that "hour" which we so cavalierly suspend each summer. Speculation upon it engendered the following short story. Please give me your
"take" on the story or daylight savings time in general, and
don't forget the Poll. Without further ado (too late!) here's the piece:

"Spring Ahead; Fall Back”


Because the late April air sent a floral scented balm, because a tiny crack of pink peeked out of the western sky, because the lengthening days made this night of nights all the more sweeter for its brevity, Mr. Sterne turned to Mrs. Sterne with pleading eyes. His hand
gently placed on her shoulder asked the same question, but Mrs. Sterne's answer was not the one he'd hoped for. In fact, it was another question.
"Did ya fix the clock?" she asked.
With the romantic magic broken, Mr. Sterne was hurled back into reality. "Huh?"
"Did ya fix the clocks? Daylight Savings starts tonight. Ya gotta re-set all the clocks."
He reluctantly sat up in bed. "Yeah? Well, how do I set 'em?"
"An hour ahead."
The joints in Mr. Sterne's old legs creaked as his bony feet groped for his slippers. "Ya sure?"
"One hour ahead. Spring ahead; fall back."
It could just as easily have been "Fall forward, spring back," Mr. Sterne thought, but he proceeded to advance the alarm clock.
"Daylight Savins' Time. What're we savin' it for?"
In the kitchen he climbed up on a chair, removed the clock from the wall, and turned the dial on the back one complete revolution. He had a devil of a time replacing the clock when he tried to match up the hook
with the nail. There was a dark circle on the wall, kind of a
clock-shadow, that he could use as a general guideline, but it took more than a few tries to re-hang the clock correctly.
The tiny knob on the automatic coffee maker only went
counter-clockwise, so Mr. Sterne had to go through an entire 24-hour cycle (and an unscheduled pot of coffee) until he got it right. The microwave oven whirred on and off, lit up, and beeped a series of irritating beeps before Mr. Sterne was satisfied with the digital read-out on the panel. In the back of his mind he knew that he'd have to
go through this routine again come fall, and he didn't want to think about it.
The old grandfather's clock in the hallway was relatively easy if one didn't count having to climb up the stepladder. All Mr. Sterne had to do was move the hand by hand. And climb down the stepladder. And close the door (which kept sticking).
The VCR was a whole 'nother story. It incessantly flashed a red "12:00 AM" which Mr. Sterne interpreted as "You're stupid!”

"You're right," Mr. Sterne said aloud. "What fools we mortals be." He cursed every clock in creation, cursed the guy who invented Daylight Savings Time, and cursed himself for being human and thus a slave to the clock, though truly, time was nothing more than a human
convention. Mr. Sterne eventually located the instruction manual for the VCR and found the page that announced -- and lied -- about "How to Set the Internal Clock". After fighting his way through the convolutedprose, he set the clock aright.
"That's it!" he shouted in a loud, disgusted voice. "I'm never, ever going to touch another clock, watch, or timepiece!"
By the time Mr. Sterne returned to bed, he noticed that the night had gotten colder. He also found that Mrs. Sterne was asleep and snoring, as if it were deep December.

In the place where the first light of day greets the continental United States, sunlight kissed the massive pink face of Cadillac Mountain on Mount Desert Island in Maine. In a misty campsite not far away there were stirrings and bumps from within a little tent.
The occupants were reluctant to get up,understandably so, with the dampness of the dew, the chill of the dawn, with the cold outside, it was cozily warm inside the sleeping bag.
Deirdre's arms emerged in a sluggish stretch. She let out a long and audible yawn. "Sure and I feel I've been sleepin' all winter."
Mahaffey chuckled. "That ya have now, Lass."
They crawled out of the sleeping bag like listless turtles and emerged from the tent. Deirdre clutched her arms and shivered. "Two-four-six-eight, why do we hibernate?" she chanted through chattering teeth.
"All the better to estivate, my dear," he said.
"Aye, and for how long? All summer? An hour? Just how much time are we gettin' now?"
Mahaffey, who had been filling his robust lungs with clear sea-air, put a reassuring arm around her shoulder. " 'Time, there will be time. Time to murder and create.' "
"Ah, 'tis a wee bit early to be quoting poetry," she said.
By now the sun shone high, and the day was warming up.
Mahaffey was surprised to find himself swatting a swarm of tiny insects away from his nose.
"'Tis a bit early for the likes of mayflies as well," he remarked.
Deirdre's usually-smiling eyes glazed over with a veil of sadness. “ 'Tis later than you think, Mahaffey."


The Dean of Students, as imposing and imperious as his oaken desk, took off his glasses, rubbed the lenses with the corners of his suit jacket, and put them back on. "I appreciate your uh, thirst forlearning, Mr. . ., Mr. . ."
"Oberon."
"Mr. Oberon, but you must understand that even though we are operating a not-for-profit institution, we can't just bend the rules. We have to be fair, you understand. If we let you attend classes without
charging you tuition, we'll have to let someone else do it. Then we'll have to let someone else do it, then someone else, and you can see where that might lead us, don't you, Mr. Oberon?"
"Yes, but you see, Sir, there's so much learnin' I'm after and so little time."
"Pretty soon we won't have any income at all. No money for our operation expenses. Nothing for faculty salaries. I mean, there goes the Athletic Department just like that!" The Dean snapped his fingers so loudly that Oberon flinched. " You do see my point, Mr. Oberon."
"Yes, indeed I do, Sir, but I wasn't after the credit," he said in a way he hoped sounded sheepish and humble. "I was just auditin'."
"For which we charge a fee -- from all non-matriculated students."
"Two, four, six, eight, why do we matriculate?"
The Dean cleared his throat. "I beg your pardon!" His face became even redder than his natural expression. "Now get this and get this straight. If you set one foot on campus again, I'm going to call Security and have you hauled in for trespassing. Do I make myself
clear?"
Clear as the grand clapper atop Saint Brendan's. Clear as the River Liffey long before it was clouded by industrial development and Joycean prose. Clear as the skies above Macgillycuddy's Reeks.
What wasn't so clear to Oberon was why he had been caught, after all these years (non-sequential, of course) as a non-matriculated scholar. Then again, it had only been a matter of time before the Forces of Commerce won out over the Forces of Knowledge.
Gettin' caught -- what a kick to the noggin! The "how" was fairly evident: an overly conscientious teaching assistant religiously taking attendance had discovered that there was an extra body in the classroom
that morning. Oberon had always assumed -- and up to this point he had been right -- that university classes would be over-enrolled and that their instructors, customarily condescending and pompous, would
never notice a new or even a strange face. Even graduate students were sublimely oblivious to the presence or absence of academic stowaways -- except for this zealous administrator today.
Oberon had an extremely successful history as a "non-traditional student". In order to cram his bean with learnin', he had started on the A's (Accounting, Animal Husbandry, Anthropology, Astronomy, American
History), graduated to the B's (Biochemistry, Biology, Botany) and on to the C's and D's. He was now on Economics, Engineering, and Educational Statistics. In addition to these sundry courses, he was acquainted with
every physical plant and campus of the nation's institutions of higher learning. Be they mammoth universities or sleepy little ivy-covered colleges, Oberon knew them all and knew them well -- better than most administrators, faculty, and students, certainly better than
most alumni.
Alumni -- the mental mention of them gave Oberon an idea. He reached into his pocket and threw a handful of dust -- sparkling gold, green, and silver stardust --across the oak desk. It covered the Dean completely; in his thinning grey hair, flakes of it shone like dehiscent
dandruff.
Suddenly the Dean's secretary dashed into the room. Though she was indisputably middle-aged, she bubbled and gushed like a nubile Texas cheerleader. "Forgive me for bargin' in, Sir --" (no such breathless apologies to Oberon) "but we've just received a fa-ax from the Farnsworth Foundation. They're endowin’ us with a grant of fourteen point six million DOLL-ars!"
The Dean whistled and exhaled an expletive which Oberon definitely had not heard in Ethics class that morning, though he had heard the "Holy!" part.
"And that's not all!" More and more the secretary was sounding like a television quizmaster. "We've got bags and bags of mail -- full of contributions from alumni!"
The Dean glanced across his desk; he seemed to have forgotten exactly who Oberon was and why he was sitting there. The Dean removed his glasses again and put them back on.
Oberon grinned his impish grin. "You were sayin', Sir?"
"Oh, yes. It's -- what? -- May already, and, seeing it's late in the semester --"
"Sure, and there be a wee three weeks left, methinks --"
" --That I don't see the harm in your sitting in on a few classes. With the professors’ permission, of course."
"Of course." Oberon stood up and shook the Dean's hand. "Well, I'll be off now. As you say, 'tis late in the year."

Here was a dream, or rather a cinematographer's depiction of a dreamscape: only a couple of lights trying to cheat the darkness, the air replaced by a cloud come to earth, everybody moving (if moving at all) in slo-mo.
In reality this was the Wee Small Hours Bar and Grill, though the consciously-chic crowd praised the joint for its "unpretentious ambience". You wouldn't know that the proprietor had paid this month's
electric bill because the only lights were the neon beer ads, the glowing video game in the corner, and the baby spot, making the band look just as blue as they sounded. The stuff from floor to ceiling wasn't dream-fog;it was just smoke mixed in with a little late October haze that sneaked
in the door past the bouncer. And if the barkeep and the patrons looked barely animate, it was only because Zoot had mesmerized them into the
mellowest of moods.
The trill coming out of his alto sax was so intense that you couldn't hear another sound in the place: not a titter from a tipsy college girl, not the come-hither beep of the coin-operated video game, not the slight clink of an ice cube shifting down in an empty glass. Zoot had them in the palm of his hand; he had their minds in a grip tighter than a goatskin stretched across a bodhran. The crowd worshiped him, and his band members, who knew a lot more than the crowd, thought that they had never heard Zoot play this well. Even Zoot himself felt it; he hadn't discovered grooves this strange since he'd played under the borrowed aliases of Prez, Vice Prez, and Bird, maybe because it was the last set of the last night of the gig and (for him) the last night of the season. Maybe it was the number itself, an old standard whose melody was so bittersweet and minor-keyed that even if you weren't a jazz aficionado , you could almost guess its title: "Early Autumn".
The song ended in a tentative way, without a coda, and it took the crowd a moment to begin applauding. The drummer threw down his "bones"; he went to punch Zoot's arm but instead grabbed him by the shoulders and
hugged him as if Zoot had just batted in a grand-slammer in the last game of the division playoffs. The piano player sat stunned, motionless except for the tears welling up and the head shaking. "Man!" he whispered again
and again. "Oh, man!"
It was last call, and the hard core drinkers were scrambling for their nightcaps. As after every performance, people came up to the bandstand to congratulate the musicians, especially Zoot. Once in a
while he'd draw some pompous know-it-all who'd ostensively praise Zoot only as a means to show off. Others would come, sweating with sincerity, to ask quasi-intelligent questions, but they were would-be saxophonists
out to pick Zoot's brain (as if the music came only from his brain!). And then there were the jerks.
This one was particularly tall for a human, and he had muscular arms and red hair. He only looked Irish.
"Say, you got some sounds outa that 'thang'," he said. "Like our Afro-American brothers say, you play pretty good for a white man."
"Not so sure about 'white', Definitely not so sure about 'man'," Zoot muttered. "But, uh, thanks."
"Whaddaya mean? Are you one o’ them --"
"One of what? Sure, I'll be ignorin’ the racist blarney for now. Listen, we -- all of us -- are connected. If it weren't for them, this music wouldn't exist. Sure and everything's linked, don't you know?" One could almost hear echoes of Zoot's tenor sax mode in his lilting voice. "The sax and the pipes, the bodhran and the jungle drum. Classical and folk music, jazz and gospel, The Gospel. The heart and mind. They're all connected, right?"
The big guy scratched his head. He started backing away, though not gracefully.
"The black and the white. The Christian and the Jew. The human bein' and the fairy folk --"
"Huh?" The big guy's face assumed the same shade of his hair. "I knew you was one of them, them --" and having run out of words, he let Zoot have it right across the jaw.
Zoot hit the floor like the mercury hitting the bottom of thethermometer in February. He hurt like mad, but,of course, he did not bleed. "Two-four-six-eight. Why do we palpitate?" he gasped.
The crowd ,a blasé bunch ,took no notice of this mini-brawl,even though its victim was the very musician they'd lionized minutes before.
What captured the crowd's attention was the bartender's startling announcement. "Listen up, people! I forgot that tonight's the night that we turn the clocks back. Drink up, everybody! We got a whole ‘nother
hour."
The bartender stood on a stool and removed the glass which covered the face of the huge clock above the bar; in hot pink neon it proclaimed "It's Time for a Billings Brew", and instead of hands told the time with two little pilsner glasses. With a flick of his finger, the barkeep
changed the hour hand from "II" to "I".
With that Zoot was hurled back also -- to the point at which he was finishing his penultimate, not his last set. He hadn't yet played the Ralph Burns masterpiece that had driven the crowd wild. Nor had he suffered that
sucker punch, for the big guy was still on his stool and nursing only his third Billings Brew. Zoot blew the final chord to Vernon Duke's "Autumn in New York" without further fanfare and began to pack up his instruments.
A blonde all clad in blue asked the bartender, “Ya sure you got that right? The clock goes back?"
" 'Tis true," Zoot said as he slipped out the door into the October chill. "Spring ahead, fall back."


Their legs were dangling over the cliff of the Grand Canyon, as they watched the sky explode into ephemeral tints of gold, pink, and purple.
Deirdre silently wept. Mahaffey was silent and strong.
"Ah, I hate this so!" she sniffed. "Just when everything's gettin' good, we have to be goin'."
"Just as 'tis. Just as 'tis written."
"Oh, but the leaves are after puttin' on their fall finery and the sky! Our Lady's cloak must be that very shade, I'm thinkin'."
Mahaffey turned sharply and gave her wrist a squeeze. "Ah, don't be doing this, me girl. Ya know nothin' can be done about it."
The word "fret" could almost be read on Deirdre's forehead. "How do you know, James? Hasn't anybody ever stayed?"
Mahaffey shook his head. "There are those who've tried. Cheatin' it with jet lag. Hidin' out in the Land of the Midnight Sun. Sure, and you'll be knowin' that even in the Auld Country it ne'er gets dusky ere eleven."
Her melancholy eyes widened a bit. "And?--"
"And nothin' works. Not even the likes of this." Mahaffey dug into his pocket and threw a clump of something down the enormous hole of the Canyon. Shimmering gold, silver, and green bits floated down like so much dust.

Deirdre buried her face in her hands; her shoulders shook slightly. Mahaffey's burly hand rubbed her back. "Aw, girl, were ya thinkin' we'd
be going west, west, west forever now?"
"I wanted to see snow. I wanted to have a Christmas. Sure and it isn't fair now, Jim. Those human bein's -- they get to stay." Deirdre pouted a mean pout, albeit an attractive one.
"You can be sorrowin' all you want about 'em, me lass, but we'll be owin' our very existence to 'em. We're connected, don't ya see, now? They'll be givin' us a summer, an hour. 'Tis somethin' to be grateful for." He slapped her knee lustily in an attempt to get her out of her
pensive melancholy.
"Why couldn't they be givin’ us some more time, Jim?"
" 'Twould be a cold day fer the divil if they're after giving us some more of their precious time, me lass. What, will they be throwing away their calendars now? Keepin' their hands off their blasted clocks?"
"All of them?"
He shook his head. "It only takes but one."
His smile froze when he realized that he'd imbued her with false hope. Again he slapped her knee. "Forget it, me girl. Sure, and it won't be happening this year. You're all a-twitter with the wishful thinkin'."
Her sigh echoed through the national park, down the walls of the mighty canyon, and up to the heavens like a prayer.


Mr. Sterne felt the sharp jab of his wife's elbow in his brittle ribs. "Tonight's the night we're supposed to change the clocks back."
To a mortal, Mr. Sterne's laugh might have sounded disdainful ordownright rude. To a different race of folk, it was music for the ages. Mr. Stern turned out the light, rolled over, and went to sleep.


Aunt Shecky
All rights reserved.

Captain Pike
11-03-2007, 04:01 PM
Aunt Shecky, this was a clever piece of work. Your use of such particular places and predicaments was very attractive and realistic. I kind of skimmed over the first use of the magic powder -- throwing it on the Department Dean and his desk was a reasonable, kooky thing that a real, human stowaway student might do as a parting, Don Quixote style, rebuttal to his being thrown out. It wasn't until later that I began to imagine there was "something werry funny going on a-wound herw"; a kind of hyper spatial morphing, wow! I have been on Mount Desert at sunrise and plenty of dark jazz bars at closing time. And if you haven't, you got the feeling right of actually being there.

As I wrote about TheFifthElement's work, man, I am among giants -- I really see a lot of talent here. This reminds me of a nagging axiom of appreciation which really bugs me: maybe really good writing transmits a multi-dimensional greatness. Sometimes, I'll really enjoy a well-known author's work. Maybe I think, well, I could do that. Then I read my own work, and sometimes think, that was pretty good. Maybe my own stuff seems good to me sometimes only because I know what I was writing about. Someone else reading my work, and not perceiving along the same dimension as me, might say, this guy is goofy, this isn't any good. How does one know if one is reaching the multitude? Is this making any sense?

Anyway, reading your piece here, I enjoyed it a lot and I suspect it could be enjoyed many different ways, by people in different cultures and different times. I mean that I enjoyed my own limited perception of your story. I hope you know what I'm talking about. I just think it's great to enjoy something 100 years afterwards it was written. Like say, Robert Louis Stevenson, for example. I guess good work withstands the test of time and culture. I ramble -- good work (maybe really good work). -- Phil

AuntShecky
11-05-2007, 10:11 AM
thank you, Captain Pike for your thoughtful reply. Believe me, it really made my day.

The predicament expressed in your second paragraph may be common among all writers manque, including yours truly.

Thanks again.

auntie

Shalot
03-10-2008, 12:08 PM
This is a great story.

Nighteyes5678
03-10-2008, 02:15 PM
I enjoyed how you mixed in the fairyfolk concept into the modern world. That was very well done.

However, though most of the story, I was a little confused with how the extra hour helped or hurt the fairies. Perhaps a little more clarity here would be helpful.

DickZ
03-10-2008, 03:59 PM
Well, Auntie, I’m not sure I get it. And that’s even with your wonderful wording, and with all the beautifully described colors and such.

I think I understood the introduction, which takes place in April when we spring ahead. That’s where the Sternes had to wrestle with their VCR and microwave, and all those things that Ben Franklin never had to worry about when he made the initial suggestion of Daylight Savings Time as a means of saving a huge number of dollars in candles. I used to know how many dollars - or candles - he estimated would be saved by turning the clocks ahead, but I don’t remember the number any more.

After that, when Deirdre and Mahaffey appear on Mount Desert Island in Maine, I start getting lost. I don’t really understand their discussion, and have no idea why “it’s later than you think.” I guess it’s also April based on their just-completed hibernation. Should it be obvious why it's later than we think?

When Mr. Oberon has his confrontation with the Dean of Students, I can vaguely recall some guy named Oberon in Midsummer Night’s Dream, and I think that Oberon used some magic dust also, but the connection with Daylight Savings Time in your story’s action is way over my head. Again I guess this part happens in April based on how the semester seems to be proceeding.

When the scene then shifts to the the Wee Small Hours Bar and Grill, it sounds like October and in fact the clocks are being set back, so is there some kind of time machine that either advanced us from spring to autumn, or sent us backward in time?

Then Deirdre and Mahaffey, who were on Mount Desert Island in Maine when they awoke from hibernation, are now at the Grand Canyon in Arizona and are getting ready to start another hibernation.

And the Sternes also, who started the story in April, seem to finish it in October.

If you could explain this story with as few words as possible, I would appreciate it.

PeterL
03-10-2008, 04:33 PM
For most of the year, the Sun first touches land in the USA at Cadillac Mountain on Mount Desert Island.

AuntShecky
03-11-2008, 02:21 PM
For most of the year, the Sun first touches land in the USA at Cadillac Mountain on Mount Desert Island.

I think it says that in the story.