KidTruth
10-01-2007, 11:14 AM
I've just finished reading just about every Sherlock Holmes story ever written by Arthur Conan Doyle, and I have to say that very rarely does the character himself develop any kind of interesting features.
It seems to me that Holmes is a constant Deus Ex Machina who develops skills and powers based on whatever the problem is. Doyle constantly writes himself into corners and then has to come up with some new expertise of Holmes' in order to escape it.
I understand that Doyle didn't want to write this book - it's true, these stories do come across as fluff for the most part. However, there are a few notable exceptions in which the stories do achieve greatness.
"The Sign of the Four" really struck me as one of the few stories in which Doyle developed his protagonist at all. It deals heavily with Holmes' lonely life and drug addiction, and gives some rare insight into our hero.
To me, a much more interesting study could be made on Watson - what kind of a man resigns himself to be a dopey, fairly useless sidekick for life? Who admires another man SO MUCH that he would sit around and write stories about him all day, and get rebuked by his own hero for it?
If anyone out there is writing a literary analysis of these stories for school, I highly recommend thinking about this angle. What sort of homoerotic worship culture was Doyle pushing?
It seems to me that Holmes is a constant Deus Ex Machina who develops skills and powers based on whatever the problem is. Doyle constantly writes himself into corners and then has to come up with some new expertise of Holmes' in order to escape it.
I understand that Doyle didn't want to write this book - it's true, these stories do come across as fluff for the most part. However, there are a few notable exceptions in which the stories do achieve greatness.
"The Sign of the Four" really struck me as one of the few stories in which Doyle developed his protagonist at all. It deals heavily with Holmes' lonely life and drug addiction, and gives some rare insight into our hero.
To me, a much more interesting study could be made on Watson - what kind of a man resigns himself to be a dopey, fairly useless sidekick for life? Who admires another man SO MUCH that he would sit around and write stories about him all day, and get rebuked by his own hero for it?
If anyone out there is writing a literary analysis of these stories for school, I highly recommend thinking about this angle. What sort of homoerotic worship culture was Doyle pushing?