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William Shakespeare (1564–1616), `The Bard of Avon', English poet and playwright wrote the famous 154 Sonnets and numerous highly successful oft quoted dramatic works including the tragedy of the Prince of Denmark, Hamlet;
"Neither a borrower nor a lender be;
For loan oft loses both itself and friend,
And borrowing dulls the edge of husbandry.
This above all: to thine ownself be true,
And it must follow, as the night the day,
Thou canst not then be false to any man.
Farewell: my blessing season this in thee!"
--Lord Polonius, Hamlet Act I, Scene 3
While Shakespeare caused much controversy, he also earned lavish praise and has profoundly impacted the world over in areas of literature, culture, art, theatre, and film and is considered one of the best English language writers ever. From the Preface of the First Folio (1623) "To the memory of my beloved, The Author, Mr. William Shakespeare: and what he hath left us"--Ben Jonson;
"Thou art a Moniment, without a tombe
And art alive still, while thy Booke doth live,
And we have wits to read, and praise to give."
Over the centuries there has been much speculation surrounding various aspects of Shakespeare's life including his religious affiliation, sexual orientation, sources for collaborations, authorship of and chronology of the plays and sonnets. Many of the dates of play performances, when they were written, adapted or revised and printed are imprecise. This biography attempts only to give an overview of his life, while leaving the more learned perspectives to the countless scholars and historians who have devoted their lives to the study and demystification of the man and his works.
England's celebration of their patron Saint George is on 23 April, which is also the day claimed to be the birth date of Shakespeare. Although birth and death dates were not recorded in Shakespeare's time, churches did record baptisms and burials, usually a few days after the actual event. The infant William was baptised on 26 April 1564 in the parish church Holy Trinity of Stratford upon Avon. He lived with his fairly well-to-do parents on Henley Street, the first of the four sons born to John Shakespeare (c1530-1601) and Mary Arden (c1540-1608), who also had four daughters. John Shakespeare was a local businessman and also involved in municipal affairs as Alderman and Bailiff, but a decline in his fortunes in his later years surely had an effect on William.
In his younger years Shakespeare attended the Christian Holy Trinity church, the now famous elegant limestone cross shaped cathedral on the banks of the Avon river, studying the Book of Common Prayer and the English Bible. In 1605 he became lay rector when he paid £440 towards its upkeep, hence why he is buried in the chancel. Early on Shakespeare likely attended the Elizabethan theatrical productions of travelling theatre troups, come to Stratford to entertain the local official townsmen, including the Queen's Men, Worcester's Men, Leicester's Men, and Lord Strange's Men. There is also the time when Queen Elizabeth herself visited nearby Kenilworth Castle and Shakespeare, said to have been duly impressed by the procession, recreated it in some of his later plays.
Although enrolment registers did not survive, around the age of eleven Shakespeare probably entered the grammar school of Stratford, King's New School, where he would have studied theatre and acting, as well as Latin literature and history. When he finished school he might have apprenticed for a time with his father, but there is also mention of his being a school teacher. The next record of his life is in 1582, when still a minor at the age of eighteen and requiring his father's consent, Shakespeare and Anne Hathaway (1556–1623) married in the village of Temple Grafton. Baptisms of three children were recorded; Susanna (1583-1649), who went on to marry noted physician John Hall, and twins Judith (1585-1662) who married Richard Quiney, and Hamnet (1585-1596) his only son and heir who died at the age of eleven.
It is not exactly clear what Shakespeare was doing in the first few years after the marriage, but he did go to London and worked at The Globe theatre, possibly as one of the Queen's Men whose works were harshly anti Catholic in a time of rising Protestantism. He was writing poems and plays, and his involvement with theatre troupes and acting is disparagingly condemned in a 1592 pamphlet that was distributed in London, attributed to Robert Green the playwright titled "Groats Worth of Witte" haughtily attacking Shakespeare as an "upstart crow";
"Yes trust them not: for there is an upstart Crow, beautified with our feathers, that with his Tyger's hart wrapped in a Player's hyde, supposes he is as well able to bombast out a blanke verse as the best of you: and beeing an absolute Iohannes fac totum [Jack-of-all-trades, Master of none], is in his owne conceit the onely Shake-scene in a countrey. O that I might entreate your rare wits to be employed in more profitable courses: & let these Apes imitate your past excellence, and never more acquaint them with your admired inventions."
By 1593 the plague was haunting London and many who were able fled the teeming city for the cleansing airs of open country. While it was a time for many upstart theatres, the popular public entertainment of the day, they were often shut down and forbidden to open for stretches of time. Shakespeare probably spent these dark days travelling between London, Stratford, and the provinces, which gave him time to pen many more plays and sonnets. Among the first of his known printed works is the comedic and erotically charged Ovidian narrative poem Venus and Adonis (1593). It was wildly popular, dedicated with great esteem to his patron Henry Wriothesly, third earl of Southampton, the young man that some say Shakespeare may have had more than platonic affection for. It was followed by the much darker The Rape of Lucrece in 1594, The Passionate Pilgrim in 1599 and the allegorical The Phoenix and the Turtle (1601).
At this time of prolific writing, Shakespeare began his association until his death with The Lord Chamberlain's Men. With the accession of James I they became the King's Men, who bought and performed most of Shakespeare's plays. The troupe included his friend and actor Richard Burbage. They performed frequently at court, and in the theatres that Shakespeare was co-owner of including the Blackfriars, The Theatre, and The Globe in London until it burnt down during a performance of King Henry VIII. It is said that Shakespeare himself acted in a number of roles including the ghost in Hamlet and Old Adam in As You Like It. In the late 1590s he bought `New Place' on Chapel Street in Stratford, one of his many real estate investments.
Shakespeare wrote most of his plays as `quarto texts', that being on a sheet of paper folded four ways. A few of his plays were printed in his lifetime, though they appeared more voluminously after his death, sometimes plagiarised and often changed at the whim of the printer. First Folio would be the first collection of his dramatic works, a massive undertaking to compile thirty-six plays from the quarto texts, playbooks, transcriptions, and the memories of actors. The approximately nine hundred page manuscript took about two years to complete and was printed in 1623 as Mr. William Shakespeares Comedies, Histories, & Tragedies. It also featured on the frontispiece the famous engraved portrait of Shakespeare said to be by Martin Droeshout (1601-c1651).
Under the favour of the court The Kings' Men became the eminent company of the day. Most likely Anne and the children lived in Stratford while Shakespeare spent his time travelling between Stratford and London, dealing with business affairs and writing and acting. In 1616 his daughter Judith married Quiney who subsequently admitted to fornication with Margaret Wheeler, and Shakespeare took steps to bequeath a sum to Judith in her own name. William Shakespeare died on 23 April 1616, according to his monument, and lies buried in the chancel of the Holy Trinity Church in Stratford upon Avon. While there is little known of her life, Anne Hathaway outlived her husband by seven years, dying in 1623 and is buried beside him. It is not clear as to how or why Shakespeare died, but in 1664 the reverend John Ward, vicar of Stratford recorded that "Shakespeare, Drayton and Ben Johnson had a merie meeting, and itt seems drank too hard, for Shakespeare died of a feavour there contracted." His tombstone is inscribed with the following epitaph;
Good friend for Jesus sake forbeare
To digg the dust encloased heare
Blessed by y man y spares hes stones
And curst be he y moves my bones
Poetry
It is generally agreed that most of the Shakespearean Sonnets were written in the 1590s, some printed at this time as well. Others were written or revised right before being printed. 154 sonnets and "A Lover's Complaint" were published by Thomas Thorpe as Shake-speares Sonnets in 1609. The order, dates, and authorship of the Sonnets have been much debated with no conclusive findings. Many have claimed autobiographical details from them, including sonnet number 145 in reference to Anne. The dedication to "Mr. W.H." is said to possibly represent the initials of the third earl of Pembroke William Herbert, or perhaps being a reversal of Henry Wriothesly's initials. Regardless, there have been some unfortunate projections and interpretations of modern concepts onto centuries old works that, while a grasp of contextual historical information can certainly lend to their depth and meaning, can also be enjoyed as valuable poetical works that have transcended time and been surpassed by no other.
Evoking Petrarch's style and lyrically writing of beauty, mortality, and love with its moral anguish and worshipful adoration of a usually unattainable love, the first 126 sonnets are addressed to a young man, sonnets 127-152 to a dark lady. Ever the dramatist Shakespeare created a profound intrigue to scholars and novices alike as to the identities of these people.
Tragedies
Some probably inspired by Shakespeare's study of Lives (trans.1597) by Greek historian and essayist Plutarch and Raphael Holinshed's Chronicles (1587). Some are reworkings of previous stories, many based on English or Roman history. The dates given here are when they are said to have been first performed, followed by approximate printing dates in brackets, listed in chronological order of performance.
Titus Andronicus first performed in 1594 (printed in 1594),
Romeo and Juliet 1594-95 (1597),
Hamlet 1600-01 (1603),
Julius Caesar 1600-01 (1623),
Othello 1604-05 (1622),
Antony and Cleopatra 1606-07 (1623),
King Lear 1606 (1608),
Coriolanus 1607-08 (1623), derived from Plutarch
Timon of Athens 1607-08 (1623), and
Macbeth 1611-1612 (1623).
Histories
Shakespeare's series of historical dramas, based on the English Kings from John to Henry VIII were a tremendous undertaking to dramatise the lives and rule of kings and the changing political events of his time. No other playwright had attempted such an ambitious body of work. Some were printed on their own or in the First Folio (1623).
King Henry VI Part 1 1592 (printed in 1594);
King Henry VI Part 2 1592-93 (1594);
King Henry VI Part 3 1592-93 (1623);
King John 1596-97 (1623);
King Henry IV Part 1 1597-98 (1598);
King Henry IV Part 2 1597-98 (1600);
King Henry V 1598-99 (1600);
Richard II 1600-01 (1597);
Richard III 1601 (1597); and
King Henry VIII 1612-13 (1623)
Comedies, again listed in chronological order of performance.
Taming of the Shrew first performed 1593-94 (1623),
Comedy of Errors 1594 (1623),
Two Gentlemen of Verona 1594-95 (1623),
Love's Labour's Lost 1594-95 (1598),
Midsummer Night's Dream 1595-96 (1600),
Merchant of Venice 1596-1597 (1600),
Much Ado About Nothing 1598-1599 (1600),
As You Like It 1599-00 (1623),
Merry Wives of Windsor 1600-01 (1602),
Troilus and Cressida 1602 (1609),
Twelfth Night 1602 (1623),
All's Well That Ends Well 1602-03 (1623),
Measure for Measure 1604 (1623),
Pericles, Prince of Tyre 1608-09 (1609),
Tempest (1611),
Cymbeline 1611-12 (1623),
Winter's Tale 1611-12 (1623).
Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc. 2006. All Rights Reserved.
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justice and revenge in shakespeare can someone please help
Could some one please help me :(:(:bawling::bawling:i am writing a thesis on the relationship between justice and revenge in shakespeare. The two plays i am examining are titus andronicus and the merchant of venice, i need examples of justice and examples of revenge. I would be really greatful if someone could help me with the law part as i know nothing about the types of laws. They are roman,elizabethan,venetian,chuch and mosaic. I would like to know what the differences between them are and essentially what each one is about. Thank you yo everyone who replies:yawnb:
Posted By kimberleyxxx at Wed 12 Nov 2008, 2:06 AM in Shakespeare, William || 1 Reply
someone please help me!
Hello everyone i would like to know about the different types of law that occur in shakespeare's titus andronicus andthe merchant of venice. I believe these to be roman,venetian,mosaic,church and elizabethan. i am struggling because i do not know exactly what each law is based on,what it stipulates and how it is working in the plays. I am writing a thesis on the relationship between justice and revenge and just wanted to see what other people thought, hopefully to have a bit of a discussion. Thank you in anticipation.
Posted By kimberleyxxx at Tue 11 Nov 2008, 2:47 PM in Shakespeare, William || 0 Replies
Shakespeare and Nietzsche
Has Shakespeare been identified at all as one of Nietzsche's influences? Recently reading Troilus and Cressida, it occurs to be that Ulysses's famous speech in 1.3 bears striking similarities to Nietzsche's theories on "Good and Bad" vs. "Good and Evil" in On The Genealogy of Morals. Here is some of Ulysses's speech (it exceeds 60 lines): ..........How could communities, Degrees in schools, and brotherhoods in cities, Peaceful commerce from dividable shores, The primogenity and due of birth, Prerogative of age, crowns, sceptres, laurels, But by degree stand in authentic place? Take but degree away, untune that string, And hark what discord follows. Each thing meets In mere oppugnancy. The bounded waters Should lift their bosoms higher than the shores And make a sop of all this solid globe; Strength should be lord of imbecility, And the rude son should strike his father dead. Force should be right -- or rather, right and wrong, Between those endless jar justice resides, Should lose their names, and so should justice too. Then everything includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself. (1.3.103-124) I have bolded the sections that bear closest resemblance to Nietzsche. To summarize Nietzsche, whose theories are difficult to group into one tightly knit sentence: Nietzsche posited that the idea of "Good and Bad" is distinct from what we consider "Good and Evil," - "Good and Bad" being a noble morality and "Good and Evil" being a slave morality. "Good and Bad" arose for a very obvious reason. That which is useful in the hunter/gatherer, instinctual sense is "Good", that which is retrograde to man is "Bad". As certain men are more powerful than others, some were masters and others slaves. Out of the slave's ressentiment (a word that describes the complexity of feelings that the slaves bore towards the noble), the morality of "Good and Evil" took off. The weak associate those qualities that are "Good" in the noble sense (as in ambition, strength, sexual potency) with "Evil" in their slave morality, and the characteristics that they possessed as slaves (piety, weakness, etc.) with "Good". This is a poor reading by a poor student of a very difficult philosopher, but bear with me. I see in Shakespeare (even the very language of Shakespeare) a preamble to Nietzsche. Ulysses's (Shakespeare's) idea of the loss of "degree" - that is rank, value, etc. - means that those that are strong and powerful would rule. In this world, old, decrepit Nestor, who although wise, is far beyond in years, would be destroyed, and powerful men like Achilles and Ajax - both of whom possess a minimum of wits and even less a sense of "degree" - would be the masters. The only reason the soldiers do not rise up and strike down Agamemnon is because of his status as leader. In a world without "degree", station in life would not matter and everything would be governed by strength alone. That Shakespeare could anticipate philosophical theories 200 years after his death is astounding, but even more so that in even one speech of Shakespeare we can find a wealth of philosophical interest and value.
Posted By mayneverhave at Tue 4 Nov 2008, 3:25 PM in Shakespeare, William || 3 Replies
Illustrated Shakespeare
Through the ages, Shakespeare has been visualized by many painters and illustrators, engravers, etc. This thread will be dedicated to showing this visual side of Shakespeare. It is interesting to note how different artists interpreted the various scenes in the Shakespeare's plays and poetry. I will start with one of my favorites artist/illustrators - first: Arthur Rackham He was well-known for his illustrations for “A Midsummer Night’s Dream” and his beautiful and intricate children‘s illustrations: You can read a brief biography in the companion to this thread “The Magical World of Children's Illustration” on this forum: http://www.online-literature.com/forums/showthread.php?t=39013 (post #5) Here is some of his work illustrating "A Midsummer Night's Dream" Fairies Away http://i125.photobucket.com/albums/p70/sealace/MSND/FairiesAway.jpg Titania-Sleeping http://i125.photobucket.com/albums/p70/sealace/MSND/Titania-Sleeping.jpg Fairies Sing http://i125.photobucket.com/albums/p70/sealace/MSND/FairiesSingMSND.jpg Titania Sleeps - second version http://i125.photobucket.com/albums/p70/sealace/MSND/TitaniaSleeps.jpg I am the very wanderer of the night http://i125.photobucket.com/albums/p70/sealace/MSND/Iamtheverywandererofthenight.jpg Fairies http://i125.photobucket.com/albums/p70/sealace/MSND/MidsummerNightsDreamFairiesArthurRa.jpg Puck http://i125.photobucket.com/albums/p70/sealace/MSND/PuckfromAMidsummerNightsDreambyArth.jpg Titania - second version http://i125.photobucket.com/albums/p70/sealace/MSND/TitaniafromAMidsummerNightsDream-1.jpg FairHelena http://i125.photobucket.com/albums/p70/sealace/MSND/FairHelenafromMidSummerNightsDream1.jpg I love this last one particularly.
Posted By Janine at Mon 27 Oct 2008, 10:55 PM in Shakespeare, William || 24 Replies
Which do you recommend to be taught first: Macbeth or Romeo and Juliet?
Which written play by Shakespeare do you think should be taught first to children in English class: Macbeth or Romeo and Juliet? I was also wondering why Romeo and Juliet was introduced to us so early in elementary school yet Macbeth isn't taught till high school, seeing how they are both pretty violent plays, and while Romeo and Juliet deal with romance and love in a rivalry situation, Macbeth deals with human ambition and the corruption of power.
Posted By general jenkins at Sat 25 Oct 2008, 8:22 PM in Shakespeare, William || 4 Replies
Was Shakespeare gay?
I have heard rumours
Posted By kelby_lake at Mon 29 Sep 2008, 12:21 PM in Shakespeare, William || 4 Replies
Shakespeare vocab
I need help with finding an online dictionary that translates modern English into Shakespearian/Elizabethan English. All I can find (in books and online) is dictionary's that translate Shakespearian words/phrases into modern English. In particular I need to know Shakespearian words/phrases on police, the law and sex.
Posted By mgsn at Sat 30 Aug 2008, 7:04 PM in Shakespeare, William || 0 Replies
Just how good is Shakespeare?
Hi, I am just interested to hear what others think about Shakespeare’s status as a writer. How would he compare with the great writers from other cultures in particular, and who are they? I think it is safe to say that from an English viewpoint he is generally regarded as the best writer in English by most academics, though some think his status has been somewhat inflated by the English literary canon. It is probably save to say that the best writers/poets can be traced back to ancient Greece or to the Latin writers such as Ovid, but as ever I am interested in the thoughts of others. Thanks.
Posted By Neely at Thu 21 Aug 2008, 8:37 AM in Shakespeare, William || 23 Replies
Why did Shakespeare intended to write a vast amount of plays and sonnets ?
That is my greatest doubt of him. Did someone compelled him to do so,or did he literally wrote them by himself? Why did he intended to use unique and archaic words like 'thou','thee','dost','thy','art'? Furthermore,his plays are literally intricate to comprehend explicitly.I am invariably stuck at reading the first act. Is he psychotic?Maybe he is. The language is wondrous.It is stupendous.If I could write like him,wow,I am blessed!!!!!!!!!:lol:
Posted By wilbur lim at Sat 16 Aug 2008, 3:24 AM in Shakespeare, William || 1 Reply
Edward III
Should'nt we have a sub-forum for Edward III? It has been admitted to the canon and look at this extract from a book: Edward III has only been recently admitted into the Shakespeare canon. The play was long thought to be the work of one or more anonymous actors or stage hands, but in the late 1990s leading scholars decided to add it to the Bard's canon. Even so, it is unlikely he penned the entire play. Probably written around 1590 and 1594, with Holinshed's Chronicles and Froissarts' Chronicles of France as it's main sources., it was first published in 1596. Shakespeare was probably moved to write it by his purported jealousy of Christopher Marlowe, who at the time of his murder in 1593, was the better known playwright. But while Marlowe's Edward II caused a sensation in its day, Shakespeare's Edward III was ill-fated. With James VI of Scotland set to succeed Queen Elizabeth, it was soon banned beacuse of its scornful treatment of the Scots.
Posted By shakespeare87 at Tue 5 Aug 2008, 12:57 PM in Shakespeare, William || 1 Reply